Eiliyahu Hanavi - Piano Solo with Lyrics Sheet Music Preview

Eiliyahu Hanavi - Piano Solo with Lyrics: Piano Solo with Lyrics

12 Appealing Piano Arrangements

Arranged by Carol Matz

Level: Elementary / Late Elementary

Item: 00-PS-0017342

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$4.99
Description
Carol Matz's Famous & Fun Jewish Songs, Book 3 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli, and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method. Titles: Adon Olam * Chad Gadya * Chanukah * Eiliyahu Hanavi * Haman, A Wicked Man * Hamotzi * Hatikva * Ma Nishtana? * My Dreidel * Rock of Ages (Ma'oz Tzur) * Sh'ma Yisrael * Zum Gali Gali. A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Famous & Fun
Publisher: Alfred Music
Page Count: 24
SKU: 00-PS-0017342

More about this title

About the Arranger: Carol Matz

Carol Matz

Carol Matz has shaped piano education through over 300 published compositions, arrangements, and instructional works. A pianist and teacher herself, she has led workshops on piano pedagogy across the United States, Canada, England, New Zealand, and Australia. Her Famous & Fun series, published by Alfred Music, has become a staple in studios and classrooms for its accessible yet musically engaging approach to repertoire.

Matz studied composition, arranging, and orchestration at the University of Miami. Her versatility extends across multiple genres and ensembles: she has written for orchestra, jazz big band, brass quintet, and string quartet, and has created studio arrangements for recording artists in the Miami area.

Why we love this

Matz's arrangement brings authenticity and cultural respect to a cherished Jewish melody while keeping the keyboard writing approachable for elementary pianists. The inclusion of lyrics transforms this into a bridge between instrumental skill-building and singing tradition, making it equally useful for solo recital work or integrated cultural programming. It's the kind of piece that honors heritage without requiring advanced technique.

What to expect

Eiliyahu Hanavi carries the warmth of a sung prayer transformed to the piano, its melody unmistakable and beloved. The combination of traditional harmony and lyrical text creates an intimate, reverent quality that invites both careful listening and genuine musical expression.

Who it's for

Late elementary pianists ready to engage with cultural repertoire and comfortable reading melody with accompaniment patterns. Students preparing for recitals or festival performances who want to explore Jewish musical traditions through keyboard work. Teachers seeking accessible arrangements that support both instrumental development and cultural literacy.

How to get the most out of it

  • Balance the melody line with clarity while keeping accompaniment textures light; the lyrics should feel integral to the musical line, not secondary to it.
  • Consider whether you'll sing the text while playing or have a singer perform it alongside you; either approach requires careful coordination of phrasing and breathing.
  • Use the Federation Festivals context as motivation for polished articulation and steady pulse; these pieces reward clarity and confidence in rhythm.
  • Explore the character of the melody through dynamics and rubato; folk melodies often live in the spaces between strict time.

How to use it

Program this as a recital piece that celebrates cultural identity, especially effective during Chanukah or broader Jewish cultural programming. Its accessibility makes it ideal for festival submission, and the lyrics create a memorable moment that connects audience to tradition. Pair it with other arrangements from the collection to build a thematic program about folk song and heritage.

Skills your students will build

  • Reading melody with accompaniment in a folk style context
  • Coordinating sung or spoken text with keyboard playing
  • Interpreting traditional melodies with appropriate phrasing and rubato
  • Building confidence in recital and festival performance settings

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