Hair: A Choral Medley Sheet Music Preview

Hair: A Choral Medley: SSA Choral Octavo

Hair / Good Morning Starshine / Aquarius / Let the Sunshine In

Music by Galt MacDermot, words by James Rado and Gerome Ragni / arr. Greg Gilpin

Item: 00-PO-0008017

Digital Download
$2.50

Minimum order quantity: 20 copies

Description
It's the 60s, the Age of Aquarius, of hippies, and of the surprise Broadway smash Hair. Winner of the Tony Award® for Best Revival of a Musical, this "tribal love-rock musical" returned to Broadway in 2009. Greg's wonderful new 6-minute medley captures all of the fresh flower-power!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
SKU: 00-PO-0008017

More about this title

About the Composer: Galt MacDermot

Galt MacDermot composed the score for Hair in 1967, creating one of the most culturally significant musicals of the twentieth century. His fusion of rock, pop, and soul idioms with theatrical storytelling fundamentally changed what Broadway music could be, influencing generations of musical theater composers who followed.

Why we love this

Greg Gilpin's medley distills Hair into six minutes of pure energy without sacrificing any of the score's infectious hooks. Your singers get to inhabit the optimism and rebellion of the era through music that demands they commit fully to both the rock groove and the vocal lines, making this a performance that feels genuinely alive rather than nostalgic.

What to expect

Electric optimism mixed with the defiant joy of a generation questioning everything. The music bounces between memorable melodies and rhythmic drive, capturing both the theatrical spectacle and the genuine passion that made Hair revolutionary. You'll feel the sun, flowers, and freedom in every phrase.

Who it's for

SSA and SSAA choirs looking for contemporary Broadway material that engages both singers and audiences. This works equally well for high school ensembles seeking something substantial with modern appeal and college/community choirs wanting a crowd-pleasing set piece.

How to get the most out of it

  • Let the groove breathe. The rock foundation means your singers need to feel subdivisions clearly; a rhythm section or a metronome click during rehearsals will anchor the ensemble more effectively than typical metered counting.
  • Build dynamic contrast between sections. A medley structure requires dramatic shifts in energy and volume to signal when you're moving between songs; mark these transitions explicitly in your score and rehearse them as intentionally as you would a key change.
  • Commit to the text. The lyrics carry political and social weight. When your singers connect emotionally to what they're singing about rather than just hitting the notes, the performance transcends a fun retro moment.

How to use it

Include this as your spring concert closer or as part of a multi-era Broadway showcase. The 20-page length and recorded accompaniment option make it flexible for concerts where you're balancing classical and contemporary work, and the recorded version allows smaller programs to present it even without a live band.

Skills your students will build

  • Singing against a rock groove and syncopated rhythm section
  • Navigating register shifts and belt-style vowels in SSA voicing
  • Balancing pop/rock phrasing with choral blend
  • Responding to text inflection as a tool for emotional communication
  • Managing tempo and dynamics across contrasting song sections

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