Hair: A Choral Medley: SATB Choral Octavo
Hair / Good Morning Starshine / Aquarius / Let the Sunshine In
Music by Galt MacDermot, words by James Rado and Gerome Ragni / arr. Greg Gilpin
Item: 00-PO-0007717
Minimum order quantity: 20 copies
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More about this title
About the Composer: Galt MacDermot
Galt MacDermot (1928-2018) was a Canadian composer and pianist who fundamentally changed the sound of Broadway by bringing rock and pop sensibilities to the musical theater stage. His score for Hair (1967) broke conventions by centering rock music, jazz harmonies, and contemporary sounds in a major theatrical production, earning the show a Tony Award and establishing MacDermot as a pioneering voice in popular music composition.
Why we love this
Greg Gilpin's arrangement distills Hair into a tightly constructed six-minute medley that captures the sonic DNA of the show without losing its infectious energy or cultural moment. The piece gives choirs access to a genuine Broadway icon while staying musically accessible; the rock-influenced harmonies and rhythmic drive make this feel contemporary and urgent rather than nostalgia-bound.
What to expect
Electric, youthful, and unapologetically celebratory. The medley pulses with the optimism and rebellion of the 1960s while maintaining a theatrical energy that keeps audiences engaged from start to finish. It's music that makes singers want to move and audiences want to lean forward in their seats.
Who it's for
Choirs seeking Broadway repertoire that speaks directly to younger singers and general audiences alike. This medley works beautifully for concert choirs, show choir programs, and community ensembles looking to program something culturally significant with genuine contemporary appeal.
How to get the most out of it
- Ground the rhythm section in a steady, rock-influenced feel; the pulse drives everything, so lock in on the backbeat even in lyrical moments.
- Pay attention to dynamic contrast between sections; the medley gains impact when transitions between songs feel purposeful rather than seamless.
- Let the pop sensibility shape your diction and phrasing; sing with clarity and forward motion, not the legit vibrato typical of traditional choral singing.
- Use the recorded accompaniment to internalize the groove and arrangement choices, which inform how the voices should sit in the mix.
How to use it
This is an excellent anchor for a spring concert or a program exploring rock influences in choral music. Program it alongside other Broadway selections to create a medley suite, or use it as a high-energy closer that sends audiences out on a joyful note. Its six-minute length makes it ideal for mixed-length concert programming.
Skills your students will build
- Rock and pop phrasing and diction
- Rhythmic precision in syncopated passages
- Singing sustained harmonies against rhythmic accompaniment
- Blending voices in contemporary harmonic contexts
- Understanding Broadway musical theater as a significant American art form