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Gloria in Excelsis Deo: SoundTrax Digital Audio Download

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Gloria in Excelsis Deo Cover Image

Gloria in Excelsis Deo: SoundTrax Digital Audio Download

Words and music by Sally K. Albrecht

Item: 00-A-00015046

$24.95
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015046

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and later as a prolific composer and clinician. Her catalog exceeds 600 choral works alongside 75 published musicals and songbooks, and she has been recognized annually by ASCAP for her contributions since 1987. Her influence extends across the country through conducting appearances at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. Her distinctive approach to choral writing, particularly her integration of movement with singing, has made her a sought-after clinician. A 2021 Distinguished Alumna Award recipient from both the University of Miami Frost School of Music and Rollins College, Albrecht continues to live in North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht brings a conductor's ear to choral writing, and this setting of Gloria in Excelsis Deo strikes that rare balance between accessibility and musical substance. The recorded accompaniment makes it immediately performable, whether you're preparing for a single concert or building a sacred program, and the available instrumental parts open doors to varied ensemble configurations.

What to expect

Reverent without being heavy, this Gloria carries both joy and dignity through its harmonic language. The piece sits comfortably in voices while maintaining the grandeur the text deserves, making it feel like a genuine celebration rather than a chore to perform.

Who it's for

This works for choirs ranging from high school concert choirs to community ensembles and church choirs looking for a contemporary setting of sacred text that doesn't require extensive rehearsal time. Directors seeking repertoire that sounds polished in performance but remains manageable in preparation will find this a practical choice.

How to get the most out of it

  • Use the recorded accompaniment to establish tempo and harmonic foundation during early rehearsals, then gradually move toward a cappella singing once parts are secure.
  • Pay attention to text clarity in the Gloria text; Albrecht's harmonic language supports rather than obscures the liturgical words, so articulation and vowel consistency matter.
  • If adding the available instrumental parts, schedule a sectional or full rehearsal with instruments present before your final run-through to ensure balance between voices and accompaniment.

How to use it

Program this as the centerpiece of a sacred or holiday concert, or use it as a strong closing number that leaves audiences with a sense of uplift. It pairs well with other settings of liturgical text or could anchor a program themed around jubilation and praise.

Skills your students will build

  • Singing text-driven sacred literature with clarity and reverence
  • Balancing blend in four-part writing
  • Following accompaniment cues while maintaining ensemble cohesion
  • Interpreting harmonic language that supports liturgical meaning

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