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French Carol Duet: PianoTrax Digital Audio Download

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French Carol Duet Cover Image

French Carol Duet: PianoTrax Digital Audio Download

Il Est Né * Angels We Have Heard on High

Arr., with additional words and music, by Mary Donnelly and George L. O. Strid

Item: 00-A-00015964

$9.99
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015964
Instrumentation: Glockenspiel

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her passion for music education. After earning a Master's Degree in Education from Lesley College, where she focused on arts integration across subjects, she taught general music and choir in elementary and middle schools throughout her thirty-year career in the Washoe County School District.

In 1985, Donnelly began collaborating with George L.O. Strid when their sixth-grade team-teaching principal challenged them to write a musical for Reading Week. That first project, The Million Dollar Mystery, launched a prolific partnership that has produced over two hundred songs and twenty-five musicals. Both composers remain active in ACDA, NEA, and ASCAP.

Why we love this

Donnelly and Strid have spent decades writing accessible choral music for young voices, and this French carol arrangement carries their signature warmth without sacrificing musical substance. The glockenspiel adds a shimmering festive texture that lifts the sacred character without feeling overly sentimental. Directors programming December concerts will find this a refreshing alternative to the typical carol arrangements, one that sounds polished in performance while remaining singable for developing choirs.

What to expect

The piece radiates quiet joy, with the glockenspiel creating a crystalline backdrop for warm, singable melodic writing. There is an intimate quality inherent in the duet format, as if two voices are sharing a moment of reflection rather than proclaiming to a crowd.

Who it's for

This arrangement serves intermediate to advancing SAB choirs seeking accessible holiday literature that avoids standard carol clichés. It works equally well for concert settings or worship contexts where a blend of reverence and brightness fits the musical moment.

How to get the most out of it

  • Balance the glockenspiel accompaniment so it sparkles above the voices rather than competing with them; ask your pianist to listen carefully during rehearsal for blend.
  • Shape the phrase line deliberately in a duet format; encourage singers to listen to their partner's part so the two voices interweave as conversation rather than competing melody lines.
  • Use the recorded accompaniment during rehearsal to lock ensemble tempo and build confidence before removing it for live performance.
  • Articulate the text crisply; French pronunciation will feel natural if singers connect each word to a clear vocal gesture rather than singing through the syllables.

How to use it

Place this toward the opening of a holiday concert where its gentle character and cultural distinctiveness can reset audience expectations for the season. It also serves well in a mixed-repertoire program as a palette cleanser between larger choral works, giving singers a moment to demonstrate control and sensitivity.

Skills your students will build

  • Listening and balancing two distinct melodic lines in a duet texture
  • French pronunciation in a choral context
  • Phrase shaping over accompaniment without relying on it for support
  • Blending with instrumental color (glockenspiel) rather than overpowering it

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