French Carol Duet Cover Image

French Carol Duet: 2-Part Choral Octavo

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French Carol Duet Cover Image

French Carol Duet: 2-Part Choral Octavo

Il Est Né * Angels We Have Heard on High

Arr., with additional words and music, by Mary Donnelly and George L. O. Strid

Item: 00-49871

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Description
Seasoned directors know they can count on this writing team for quality developmental literature, like this piece---a perfect pairing for holiday concerts: "Il Est Né" and "Angels We Have Heard On High." Sing in English throughout, or include some French text using the included pronunciation guide. Optional lyrics allow you to sing some French or entirely in English.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081572499
SKU: 00-49871
Instrumentation: Glockenspiel

More about this title

About the Arranger: Mary Donnelly

Mary Donnelly

Mary Donnelly earned her Bachelor of Arts from the University of Nevada, Reno with majors in English and French, then returned to school for her Master's in Education from Lesley College in Cambridge, Massachusetts, where she focused on arts integration across the curriculum. She spent thirty years teaching general music and choir in elementary and middle schools throughout the Washoe County School District in Reno, Nevada, and remains active in ACDA, NEA, and ASCAP.

In 1985, while team-teaching sixth grade music, Donnelly and George L.O. Strid were asked by their principal to write a musical for Reading Week. That first collaboration, The Million Dollar Mystery, launched a creative partnership that has produced over two hundred songs and twenty-five musicals across their decades of work together.

Why we love this

Donnelly and Strid have built their reputation on repertoire that works in real classrooms and concert halls, and this duet proves it. Pairing two beloved carols with optional language choices gives you genuine flexibility: your singers can lean into the French text (with pronunciation support) for cultural depth, or stick entirely with English for accessibility. The glockenspiel accompaniment adds textural interest without demanding complex orchestration.

What to expect

The arrangement carries the warmth and familiarity of two classic carols while adding a gentle sophistication through its layered parts and optional French text. There's something both intimate and celebratory about hearing these melodies woven together, especially when the glockenspiel shimmer enters to frame the singing.

Who it's for

This piece is built for developing choirs in elementary and middle school settings, though it works equally well with volunteer church choirs looking for accessible yet quality Christmas literature. The 2-part writing keeps ensemble balance manageable while the text options appeal to singers at different comfort levels with language and pronunciation.

How to get the most out of it

  • Balance the two-part texture by having singers listen across the parts during rehearsal; even in a simple arrangement, blend matters, especially when voices move in parallel motion.
  • Use the pronunciation guide early and often so singers feel confident with any French text you choose to include, rather than leaving it as a last-minute addition.
  • The recorded accompaniment (available separately) can guide rehearsals and give singers a secure foundation before adding the glockenspiel part.
  • Mark the optional language switches in the score before the first rehearsal so singers know exactly where they're singing French versus English.

How to use it

Slot this as a centerpiece for a winter concert's choral section, pairing it with a unison arrangement of a different carol to show your singers' range in two-part work. It also works beautifully as an early December performance piece before singers are fatigued by too many holiday rehearsals, and the French connection opens a door for cultural conversation around holiday traditions.

Skills your students will build

  • Singing in two-part harmony with independent melodic lines
  • Pronunciation and text clarity in a second language (optional French)
  • Listening to and balancing blend across voiced parts
  • Coordinating with instrumental accompaniment (glockenspiel)
  • Selecting between parallel text versions and sustaining either choice throughout a piece

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