Forty-Second Street: SAB Choral Octavo
From the Musical 42nd Street)
Words by Al Dubin, music by Harry Warren / arr. Larry Shackley
Item: 00-PO-0007641
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Harry Warren
Harry Warren (1893-1981) composed some of Broadway and Hollywood's most enduring melodies during the golden age of musical theater. His output spanned decades, from the 1920s through the 1960s, and he became one of the most recorded composers in American history. Warren's gift for crafting singable, memorable tunes with sophisticated harmonic underpinnings made his songs standards that performers and arrangers continue to revisit.
Why we love this
This arrangement captures the infectious energy of the original without demanding superhuman vocal gymnastics from your singers. Larry Shackley's SAB voicing sits comfortably in the middle of each part's range, letting your ensemble dig into the rhythmic swagger and syncopation that makes 42nd Street such a crowd-pleaser. It's a showstopper that actually works in rehearsal.
What to expect
Bright, energetic, and unapologetically theatrical. The arrangement carries the snap and style of a classic Broadway number, with syncopated rhythms and a tune that sits in your head long after the final note. It feels like a celebration.
Who it's for
Any choir looking for a reliable, fun standard that engages audiences while staying within the comfortable range of developing singers. The three-part voicing works equally well for adult community choirs, high school singers, and mixed-voice groups where you need accessibility without sacrificing impact.
How to get the most out of it
- Nail the rhythmic precision in the opening section. The syncopation is what sells this tune, so lock the ensemble's attacks and releases together before layering in any dynamics.
- Lean into the swagger. This is Broadway, not art song. Encourage your singers to feel the jazz-inflected rhythms and let their voices have personality and forward motion.
- Balance the soprano and alto lines carefully when they diverge. The recording accompaniment will anchor the tempo, so use it to build confidence in sections that carry the melody.
- Shape phrases across the bar lines rather than stopping at rests. The tune breathes best when phrases feel connected and propulsive.
How to use it
Slot this into a Broadway or American standards concert, or pair it with other upbeat jazz-inflected pieces for a program that highlights popular song. It also serves as an excellent morale booster mid-rehearsal when your singers need a break from heavier material.
Skills your students will build
- Syncopated rhythm reading in a jazz/pop style
- Phrase shaping and legato singing across rests
- Part independence in three-part voicing
- Ensemble precision with staggered entrances and rhythmic coordination
- Stylistic interpretation of Broadway idioms