Festival Sanctus Sheet Music Preview

Festival Sanctus: SSA Choral Octavo

By John Leavitt

Item: 00-PO-0000521

Digital Download
$2.05

Minimum order quantity: 20 copies

Description
A long-time favorite on the festival circuit for SATB ensembles, "Festival Sanctus" is now available for two-part treble ensembles. It is driving, rhythmic and up-tempo--all the ingredients that create a sure winner. Dynamic and exciting, this joyous selection surpasses the ordinary! This title is available in Music Prodigy.

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Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0000521

More about this title

About the Composer: John Leavitt

John Leavitt is a prolific composer whose choral works have become staples in high school and collegiate festivals across North America. His music combines accessibility with musical substance, making pieces that are genuinely enjoyable to sing while remaining sophisticated enough to engage serious musicians and audiences alike.

Leavitt has a gift for writing rhythmically driven, energetic pieces that bring ensembles and listeners to their feet. His understanding of vocal ranges and ensemble sonority informs every compositional choice, which is why directors return to his catalog year after year for concert and festival programming.

Why we love this

This version captures everything that made the SATB original a festival favorite, then adapts it brilliantly for treble ensembles. The rhythmic drive and infectious energy remain intact, but Leavitt has voiced it so that SSA choirs can deliver the same performance impact and joy. You get a proven winner that actually fits your singers' ranges.

What to expect

Driving and exuberant, this piece pulses with rhythmic forward motion and feels celebratory without being frivolous. There's a liturgical solemnity to the text, but Leavitt's setting lifts it into something that feels bright, modern, and genuinely joyful to perform.

Who it's for

SSA choirs at the high school or collegiate level who want a sacred piece with real energy and program appeal. This works equally well for festival competition, a spring concert closer, or an event that calls for uplifting, joyous music that audiences will remember.

How to get the most out of it

  • Keep the tempo moving forward; the piece gains its momentum from crisp, unified rhythm section entries. Lock in your section leaders early and anchor the pulse before adding layers.
  • Shape the phrase peaks by bringing out the sopranos on climactic moments without sacrificing blend. This piece thrives on unity, not spotlight solos.
  • Use the recorded accompaniment to lock ensemble precision during sectional rehearsals, then gradually pull back your reliance on it as confidence builds. The goal is a tight, confident group that stands on its own.
  • Balance the excitement with clarity; festival judges want to hear every word. Over-energizing can blur diction, so invest rehearsal time in crisp consonants and open vowels even at tempo.

How to use it

Program this as a concert or festival opener to set an energized tone, or use it as a closer if you want to send the audience out on a high. It also pairs beautifully with slower, more introspective sacred works; the contrast will deepen both pieces.

Skills your students will build

  • Rhythmic precision and ensemble unanimity in fast-moving passages
  • Balancing blend with textual clarity in consonant-heavy sections
  • Sustaining energy and vocal freshness through an extended piece
  • Two-part voicing independence (maintaining separate lines while supporting overall texture)

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