Festival Sanctus Cover Image

Festival Sanctus: SAB Choral Octavo

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Festival Sanctus Cover Image

Festival Sanctus: SAB Choral Octavo

By John Leavitt

Item: 00-28657

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Description
A long-time favorite on the festival circuit for SATB ensembles, "Festival Sanctus" is now available for 2-part treble ensembles. It is driving, rhythmic and up-tempo---all the ingredients that create a sure winner. Dynamic and exciting, this joyous selection surpasses the ordinary! This title is available in Music Prodigy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Festival Sanctus: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081312019
SKU: 00-28657

More about this title

About the Composer: John Leavitt

John Leavitt has established himself as one of the most performed choral composers in America, with works spanning sacred, secular, and educational contexts. His gift for crafting memorable melodies paired with accessible yet sophisticated harmonies has made his music a staple in high school and college choirs alike.

Why we love this

This arrangement brings the energy and drive of the original SATB version to treble ensembles without sacrificing any of the piece's joyous character. The rhythmic vitality and clear harmonic language make it equally effective in festival settings and concert programs, giving choirs at this level a legitimate competition piece that doesn't feel simplified.

What to expect

Exuberant and celebratory, this setting captures the reverent joy of the Sanctus with driving rhythms and soaring lines that feel both energetic and grounded in liturgical tradition. The piece radiates confidence and lift, inviting singers into a shared moment of musical conviction.

Who it's for

Treble choirs at the middle school through early high school level seeking a sacred piece with genuine festival credentials. Directors programming mixed-age or developing ensembles will appreciate the accessibility without compromise; students get to sing something substantial that still feels achievable.

How to get the most out of it

  • Lean into the rhythmic momentum from the opening measure. The piece thrives on forward motion, so resist the temptation to slow down during held notes or harmonic shifts.
  • Balance the two parts carefully during unison sections to maintain blend while preserving the textural clarity Leavitt creates when voices diverge.
  • Use the recorded accompaniment to lock the ensemble's tempo and entrance points, especially in rehearsals before parts are fully memorized.
  • Shape the dynamic arc across entire phrases rather than responding to individual accents. This prevents the piece from feeling choppy and amplifies its liturgical grandeur.

How to use it

Position this as the highlight of a sacred music concert or festival performance where energy and impact matter. It pairs well with quieter reflective pieces, as its rhythmic vitality and brightness provide compelling contrast without demanding thematic connection.

Skills your students will build

  • Sustaining rhythmic precision in up-tempo material
  • Balancing independent part movement with blend
  • Shaping longer phrases without losing forward momentum
  • Singing with dynamic control across a wide range
  • Understanding liturgical text and its musical interpretation

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