Falala: SSA Choral Octavo
Words and music by Jim Brickman and Victoria Shaw / arr. Jay Althouse
Item: 00-PO-0001638
Minimum order quantity: 20 copies
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More about this title
About the Composer: Jim Brickman

Jim Brickman stands among the most successful contemporary pianists in America, with a catalog of compositions that have topped charts and touched millions of listeners. His approach to songwriting centers on emotional directness: he crafts melodies designed to accompany life's defining moments, whether joyful or reflective. Brickman's collaborations span genres and generations, pairing his compositional gifts with artists like Victoria Shaw to create work that speaks across audiences.
Beyond the recording studio, Brickman has built a career on live performance, demonstrating that instrumental and pop-influenced music can command concert halls and captivate devoted audiences. His philosophy remains rooted in music's power to heal and celebrate, a belief evident in every arrangement and original work he releases.
Why we love this
Jay Althouse's arrangement captures the infectious lightness of the original recording while keeping the SSA texture clean and singable. The pop sensibility works in your favor here: singers already know how this sounds, which gives you a solid reference point for style and phrasing while you build ensemble confidence. It's a genuine crowd-pleaser that doesn't sacrifice musicality for accessibility.
What to expect
Warm, celebratory, and undeniably festive without veering into saccharine territory. The bouncy rhythm and singable melody create immediate engagement, while the pop instrumentation gives it a modern sparkle that feels current rather than nostalgic.
Who it's for
High school and community choirs looking for accessible holiday repertoire with genuine melodic appeal and contemporary flair. Singers who connect with pop and contemporary music will gravitate toward this material, and its modest range requirements make it inclusive for mixed-ability ensembles.
How to get the most out of it
- Shape the "falala" sections with rhythmic precision and consistent vowel color; these passages carry the song's infectious joy and need crisp articulation to land
- Balance the recorded accompaniment so the vocals remain the focal point without drowning in orchestration; find the sweet spot in your playback setup during rehearsal
- Lean into the pop phrasing with light rubato and forward-moving phrases rather than classical legit singing; the song thrives on conversational delivery and subtle swing
- Mark clear sections and transitions in your score so singers anticipate harmonic changes; the modulations happen quickly enough that rehearsal attention to form prevents muddy entrances
How to use it
Pair this with your more traditional holiday selections to show the range of Christmas music available to modern choirs; it works especially well as a concert opener or closer that sends audiences home smiling. Consider programming it alongside other contemporary pop-choral arrangements to build a cohesive set, or use it as an audience sing-along moment if your concert format allows.
Skills your students will build
- Sustaining pop phrasing within harmonic context (balancing natural speech rhythm with ensemble blend)
- Navigating quick modulations and harmonic shifts with secure intonation
- Singing with the recorded accompaniment (ensemble cohesion with external reference track)
- Building interpretive choices through style-specific articulation and dynamics