Falala Cover Image

Falala: SAB Choral Octavo

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Falala Cover Image

Falala: SAB Choral Octavo

Words and music by Jim Brickman and Victoria Shaw / arr. Jay Althouse

Item: 00-39824

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Description
This jolly holiday song went to #2 on the Adult Contemporary Charts in a recording by co-writer and recording artist Jim Brickman and British teen singer Olivia Jade Archbold, who appeared on Britain's Got Talent in 2010. It's a light, bouncy Christmas choral with a pop feel that perfectly captures the spirit of the season.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Falala: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081444857
SKU: 00-39824

More about this title

About the Composer: Jim Brickman

Jim Brickman

Jim Brickman stands among the most successful pianists in contemporary music, with a catalog of original compositions that have reached millions through radio, film, and live performance. His approach to songwriting centers on emotional clarity and accessibility; he composes pieces designed to soundtrack meaningful moments in listeners' lives, from celebrations to quiet reflections. Brickman's collaborations span multiple genres and generations of artists, allowing his melodic sensibility to reach audiences far beyond traditional piano recital spaces.

Why we love this

Jay Althouse's arrangement captures the infectious energy of the original recording while staying firmly in the SAB wheelhouse, making this a genuine crowd-pleaser that doesn't sacrifice singability. The pop sensibility and holiday warmth mean your singers will actually want to perform this, and your audience will feel the joy immediately. It's the rare seasonal piece that works equally well for holiday concerts, pops programs, or even spring celebrations that call for something uplifting and universally appealing.

What to expect

Bright, buoyant, and genuinely festive without a trace of schmaltz. The piece bounces with the playfulness of the original hit, capturing that specific kind of holiday joy that's about celebration and good humor rather than reverence or nostalgia. It lands somewhere between a pop song and a choral arrangement, giving singers the satisfying feeling of performing contemporary music rather than traditional holiday fare.

Who it's for

Choirs looking for contemporary holiday material that appeals to modern ears without resorting to either heavy arrangements or overly simplified voicing. High school choirs, community groups, and adult choruses will all find this accessible and performance-ready. It works particularly well for programs where you want to showcase your singers' ability to handle pop-influenced music with genuine style.

How to get the most out of it

  • Keep the energy consistently bright from the first note; this arrangement thrives on momentum and forward motion rather than dragging the harmonic language for effect.
  • Balance the upper voices carefully in the divisi sections so that the SAB texture remains transparent and neither part overshadows the other.
  • Use the recorded accompaniment to lock in the groove and help singers hear exactly where the pop-influenced rhythm sits against the choral lines.
  • Emphasize the rhythmic precision of any syncopated figures; sloppy rhythm undercuts the contemporary feel this piece is built on.

How to use it

Program this early in a holiday concert to set an energized, joyful tone for the audience. Pair it with one or two other contemporary seasonal pieces to anchor a "modern holiday" set, or use it as a palate cleanser between more serious choral works. The 12-page format and straightforward voicing make it ideal for adding to a program even late in rehearsal season when you need something reliable that learns quickly.

Skills your students will build

  • Reading pop-influenced rhythms and syncopation in choral writing
  • Balancing SAB voicing in divisi passages
  • Maintaining rhythmic precision against a contemporary accompaniment style
  • Performing with the energy and forward motion required by contemporary popular music

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