Exogenesis: Symphony Part II (Cross Pollination) Sheet Music Preview

Exogenesis: Symphony Part II (Cross Pollination): Piano/Vocal/Chords

Muse

Item: 00-PS-0012716

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Description
Piano/vocal/guitar sheet music transcriptions for every song on Muse's 2009 hit album! (Guitar TAB edition also available) Titles: Uprising * Resistance * Undisclosed Desires * United States of Eurasia (+ Collateral Damage) * Guiding Light * Unnatural Selection * MK Ultra * I Belong to You/Mon Coeur s'Ouvre a Ta Voix * Exogenesis: Symphony, Part 1: Overture * Exogenesis: Symphony, Part 2: Cross-Pollination * Exogenesis: Symphony, Part 3: Redemption.

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Additional Details
Publisher: Alfred Music
Page Count: 92
SKU: 00-PS-0012716

More about this title

About the Composer: Matthew Bellamy

Matthew Bellamy is the lead vocalist, guitarist, and primary composer for Muse, the British rock band that emerged in the 1990s and achieved international prominence with their ambitious, genre-blending approach to rock music. His compositional voice combines classical influences, electronic experimentation, and stadium rock dynamics, creating work that challenges conventional songwriting structures while remaining intensely melodic and performable.

Why we love this

This collection captures one of the most sonically inventive and harmonically adventurous rock albums of the 2000s, and the piano/vocal arrangements make these compositions accessible to singers and pianists without sacrificing their sophistication. The symphonic scope of the Exogenesis trilogy paired with the radio-friendly hooks of tracks like Uprising and Resistance gives students genuine artistic material that feels contemporary and substantial.

What to expect

Progressing through this album is a journey from politically charged urgency to metaphysical exploration. The music builds from synth-driven rock energy into classical grandeur, with melodies that soar over harmonies that refuse to stay in conventional progressions. There's a sense of scope and ambition throughout, paired with moments of genuine intimacy.

Who it's for

This is essential material for music students and performers who want to engage with contemporary rock composition that takes itself seriously musically and lyrically. Pianists preparing recitals that blend classical and modern idioms, singers working on contemporary material with harmonic complexity, and guitarists seeking transcriptions that honor the original arrangements will find substantial content here.

How to get the most out of it

  • Treat the dynamic range seriously; these songs shift between intimate verses and explosive choruses, so shape the dynamics in your hands rather than relying on volume alone.
  • The orchestral textures in the originals require careful voicing at the piano. Listen to the album to hear which instrumental lines carry melody, and bring those to the foreground in your left hand.
  • Manage the vocal range across this collection; some songs sit quite high or low. Transpose strategically if you're performing multiple tracks in one sitting to preserve vocal stamina.
  • Lock into the rhythmic specificity of the syncopation and odd meters. Muse's programming is precise, and your timing choices will define whether the energy feels driving or awkward.

How to use it

Feature individual tracks in student recitals or showcases that celebrate contemporary classical-influenced rock; the Exogenesis trilogy works particularly well as a closing statement in a program that traces harmonic sophistication across genres. This collection also serves singers and pianists preparing audition material or working on contemporary repertoire requirements for ensemble participation or solo study.

Skills your students will build

  • Reading and performing complex chord changes and jazz-inflected harmony
  • Coordinating vocal melody with intricate piano accompaniment patterns
  • Interpreting dynamic and textural variation in contemporary popular music
  • Navigating rhythmic precision in syncopated and non-standard metric contexts
  • Translating orchestral writing for piano without losing orchestral character

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