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Exciting Sounds of the Big Band Era: 3rd Trombone Book

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Exciting Sounds of the Big Band Era Cover Image

Exciting Sounds of the Big Band Era: 3rd Trombone Book

Item: 00-TBB0030

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Description
Contents: At Last * Back Bay Shuffle * Blues on Parade * Cherokee * Do Nothin' Till You Hear from Me * Don't Be That Way * Don't Get Around Much Anymore * Eager Beaver * In a Minor Mood * In a Mist * In the Mood * Johnson Rag * Pennsylvania 6-5000 * Taking a Chance on Love * Two O'Clock Jump.

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Additional Details
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-5206-0
ISBN13: 978-0-7692-5206-3
UPC: 029156153569
SKU: 00-TBB0030
Instrumentation: 3rd Trombone

More about this title

Why we love this

The third trombone book gives lower brass players in your section genuine solo and countermelody material instead of sustained background parts. This collection balances well-known standards with arrangements that let each player shine during their moment, building confidence and engagement across your full trombone section.

What to expect

Relaxed swing and blues grooves anchor every tune here, with moments of energetic shuffle alternating with ballads that ask for warmth and space. You'll feel the pleasure of locking in with your section while also claiming passages that stand out from the ensemble texture.

Who it's for

Intermediate jazz ensemble trombonists ready to read beyond basic parts and engage actively with the harmonic and rhythmic language of swing and blues. This book works for high school and community jazz programs building a solid standard repertoire.

How to get the most out of it

  • Lock your tone and articulation with the second trombone during the frequent harmonic passages; the two of you form the harmonic foundation that allows the first trombone to carry the melody.
  • Listen carefully for the lead voice's phrasing and mirror its approach to note attacks and releases, especially in ballads like At Last and Do Nothin' Till You Hear from Me.
  • Give full attention to the rhythm section during ensemble figures; your entrance points and releases often anchor transitions between sections.
  • Balance dynamic control across the full range of these arrangements; many pieces move between solo moments in your register and blend-heavy sections where you support the ensemble sound.

How to use it

Use this collection as your primary repertoire for a second-year or intermediate jazz ensemble unit. The fifteen tunes offer enough material for a full concert or festival set, and the mix of tempos and styles teaches trombonists to navigate swing feel, blues changes, and ballad playing in one cohesive package.

Skills your students will build

  • Reading swing and blues rhythm in jazz ensemble context
  • Harmonic support and voice-leading as a middle brass voice
  • Articulation consistency across multiple jazz idioms
  • Listening and blending within a three-part trombone section
  • Balancing solo presence with ensemble texture
  • Interpreting jazz articulation and phrasing from written notation

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