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Exciting Sounds of the Big Band Era: E-flat Baritone Saxophone Book

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Exciting Sounds of the Big Band Era Cover Image

Exciting Sounds of the Big Band Era: E-flat Baritone Saxophone Book

Item: 00-TBB0023

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Description
Contents: At Last * Back Bay Shuffle * Blues on Parade * Cherokee * Do Nothin' Till You Hear from Me * Don't Be That Way * Don't Get Around Much Anymore * Eager Beaver * In a Minor Mood * In a Mist * In the Mood * Johnson Rag * Pennsylvania 6-5000 * Taking a Chance on Love * Two O'Clock Jump.

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Additional Details
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-7825-6
ISBN13: 978-0-7692-7825-4
UPC: 029156045550
SKU: 00-TBB0023
Instrumentation: E-flat Baritone Saxophone

More about this title

Why we love this

This collection captures the full swagger of big band jazz without requiring a massive ensemble. Baritone saxophone parts in these arrangements sit perfectly in the low-end pocket, giving younger players meaningful musical responsibility rather than filler lines. The mix of standards and lesser-known gems means you can program fresh-sounding concerts without defaulting to the same five tunes everyone else plays.

What to expect

Groovy, infectious, and deeply satisfying. These arrangements pulse with the infectious energy of the swing era while still breathing room for individual expression. The baritone sax voice here is warm, authoritative, and essential to the sound.

Who it's for

Intermediate to advanced baritone saxophonists in school jazz ensembles, community big bands, or serious jazz combos. Players should read standard saxophone clefs comfortably and understand basic jazz articulation and phrasing conventions.

How to get the most out of it

  • Listen to the classic big band recordings of these tunes before rehearsal. Hearing how Basie, Goodman, or Ellington voiced the baritone sax section will clarify phrasing and articulation choices the arrangement intends.
  • Lock in with the bass and drums early. The baritone sax anchors the bottom of the ensemble sound, so your time feel and rhythmic placement directly affect how tight the whole band feels.
  • Shape dynamic scoops and falls deliberately, especially in ballads like 'At Last' and 'Do Nothin' Till You Hear from Me.' These expressive details separate polished big band playing from reading straight through.
  • Balance tone weight with the section. In packed ensemble moments, resist the urge to dominate; your job is to thicken the foundation, not overshadow the tenor and alto voices above you.

How to use it

Build a full big band concert by combining this collection with trumpet, trombone, and rhythm section books from the same series. Program two or three contrasting selections (a bluesy number, an up-tempo swinger, and a ballad) to showcase different moods and textures within the era.

Skills your students will build

  • Reading jazz notation and swing feel articulation
  • Voicing awareness in ensemble saxophone sections
  • Low-register tone control and intonation
  • Listening to and interpreting classic big band recordings
  • Reading and executing complex rhythmic figures in jazz context

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