Exciting Sounds of the Big Band Era: 2nd E-flat Alto Saxophone Book

These arrangements capture the joy and swagger of classic big band writing without requiring virtuosic technique from every player. The second alto part sits comfortably in the middle register, allowing you to contribute color and rhythmic sophistication while building confidence in a section setting.

Second alto saxophonists in developing jazz ensembles and big band programs who are ready to tackle genuine repertoire beyond etude books. High school and community college players benefit most, though experienced middle school jazz groups with advanced instrumentalists can handle this collection.

• Lock your articulation with the first alto saxophone to create a unified section sound, especially on the rhythmic hits that punctuate these arrangements.
• Balance your dynamic support with the first alto's melody line; second parts often carry harmonic weight that won't project unless you shape the phrase intentionally.
• Listen across to baritone saxophone and the low brass; your lines often bridge the section colors, so blend while remaining distinct.
• Nail the swing feel early in rehearsals by focusing on how your rhythmic lines relate to the rhythm section's groove rather than rushing ahead.

Build a full big band concert by programming several cuts from this book alongside corresponding parts for the other saxophones, trumpet sections, and rhythm section. Many of these titles are short enough to pair as opening numbers or lighter fare between more demanding feature arrangements.

• Reading and executing jazz articulation in ensemble context
• Supporting harmonic progression while maintaining section cohesion
• Playing swing rhythms and jazz phrasing with accurate time feel
• Balance and blend within the saxophone section
• Understanding the second voice role in big band voicings