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Exciting Sounds of the Big Band Era: Conductor Book

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Exciting Sounds of the Big Band Era Cover Image

Exciting Sounds of the Big Band Era: Conductor Book

Item: 00-TBB0018

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Description
Contents: At Last * Back Bay Shuffle * Blues on Parade * Cherokee * Do Nothin' Till You Hear from Me * Don't Be That Way * Don't Get Around Much Anymore * Eager Beaver * In a Minor Mood * In a Mist * In the Mood * Johnson Rag * Pennsylvania 6-5000 * Taking a Chance on Love * Two O'Clock Jump.

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Additional Details
Publisher: Alfred Music
Page Count: 68
ISBN10: 0-7692-5967-7
ISBN13: 978-0-7692-5967-3
UPC: 029156181173
SKU: 00-TBB0018
Instrumentation: Piano/Conductor

More about this title

Why we love this

Fifteen standards from the golden age of swing, all in one conductor book that cuts straight to what your ensemble needs to sound authentic. The variety here matters: you get blues changes, uptempo swingers, ballads, and novelty numbers, which means your students rehearse genuine stylistic range rather than repetitive head charts.

What to expect

Infectious, breezy, and instantly recognizable. These tunes carry the unmistakable warmth of the 1930s and 1940s: riff-driven grooves, bluesy inflections, and that irresistible forward momentum that makes audiences tap their feet. The collection balances exuberance with sophistication, moving seamlessly from the playful energy of "Eager Beaver" to the sophisticated restraint of "In a Mist."

Who it's for

Conductors leading jazz ensembles at the secondary and early college level who want a curated collection of accessible, performance-ready big band standards. This works equally well for directors building a new jazz program or refreshing a repertoire that's grown stale.

How to get the most out of it

  • Establish a consistent swing feel across the section by having rhythm section lock the pulse together during the first rehearsal; the piano voicings and walking bass lines set the foundation for how articulated the ensemble will sound.
  • Study the original recordings of these tunes (especially the famous big band versions) before rehearsal so you can guide your players toward period-appropriate phrasing and dynamics rather than over-interpreting.
  • Balance transparency with ensemble blend by reminding soloists that the background figures and counterlines need to breathe alongside the feature; these arrangements thrive on conversation between sections, not solo spotlight.

How to use it

Use this collection to frame a concert around a single era or theme without the complexity of programming wildly different arranging styles. These pieces work particularly well as a mid-year program when your ensemble is solid enough to handle style and interpretation, or as a finale-heavy season closer where the energy and familiarity of standards keep rehearsals moving forward.

Skills your students will build

  • Swing feel and articulation in a jazz idiom
  • Reading lead sheets and ensemble figures in jazz notation
  • Responding to solo sections and comping rhythms
  • Balancing melody, counterline, and background figures in ensemble texture
  • Stylistic flexibility across blues, uptempo swingers, and ballad tempos

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