Ease on Down the Yellow Brick Road: SAB Choral Octavo
Arr. Sally K. Albrecht
Item: 00-PO-0001982
Minimum order quantity: 20 copies
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Description
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More about this title
About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, beginning her career as Director of School Choral, Vocal, and Elementary Publications at major educational music publishers, most notably Alfred Music. A consistent recipient of the ASCAP Special Music Award since 1987, she has composed and arranged more than 600 choral works alongside 75 larger musicals and songbooks. Her influence extends through conducting appearances at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival programs nationwide.
Educated at Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has taught at Oakland University, Jersey City State College, and Meredith College. Her contributions to music education and leadership earned her the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021, as well as the Omicron Delta Kappa National Leadership Honor Society's "Pillar of Leadership" award. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.
Why we love this
Albrecht's arrangement threads two iconic film versions into a single groove without feeling pieced together. The SAB voicing sits in a sweet spot between accessibility and arranging sophistication, and the funky rhythmic energy will keep singers engaged through repeated rehearsals and performances. This is the kind of piece that reminds students why they joined choir.
What to expect
This is Broadway meeting the funk club: irresistible forward momentum, bright SAB sonorities, and the infectious yellow brick road theme woven through unexpected harmonic colors. There's playfulness here, but it's earned through grooves that sit just slightly outside predictable phrasing, making singers feel like they're in on something special.
Who it's for
Choirs with solid intonation and rhythmic chops will thrive with this piece. It works beautifully for groups comfortable with contemporary idioms and funk-influenced grooves, whether in middle school, high school, community, or collegiate settings. If your singers can lock into a pocket and blend across parts, this arrangement gives them a showcase for style and personality.
How to get the most out of it
- Nail the rhythmic precision in the ensemble sections; the groove lives in tight unison and section locks, so use a click track or recorded accompaniment during early rehearsals to build collective confidence.
- Shape the melody with swing feel rather than straight articulation, letting the rhythm section (or accompaniment track) establish the pocket before singers lock in.
- Balance vocal parts so the tune sits clearly above the harmonic support, especially in passages where SAB texture creates thick voicing.
- Let the Broadway sensibility breathe in solo moments and transitions; this arrangement rewards performers who commit to character and storytelling, not just note accuracy.
How to use it
Schedule this for concerts where you want to shift the energy and remind the audience that choral music spans genres. It pairs well with other contemporary pop arrangements or with a lighter first half that you want to energize. The 16-page octavo is also a strong choice for spring concerts, pops programs, or any event where a song from film and musical theater culture signals fun and celebration.
Skills your students will build
- Rhythmic precision in funk/contemporary groove contexts
- SAB blend and sectional balance in four-part harmony
- Stylistic flexibility (Broadway song interpretation across two distinct versions)
- Call-and-response execution and ensemble coordination
- Sustained intonation during rhythmically complex passages