Duets for Strings, Book II Cover Image

Duets for Strings, Book II: Bass Book

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Duets for Strings, Book II Cover Image

Duets for Strings, Book II: Bass Book

By Samuel Applebaum

Item: 00-EL02021

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Description
The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class method. Published in three levels for violin, viola, cello, and bass.

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Additional Details
Series: Belwin Course for Strings
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-3232-9
ISBN13: 978-0-7692-3232-4
UPC: 029156018561
SKU: 00-EL02021
Instrumentation: Bass

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a prolific string pedagogue whose method books and duet collections shaped string education in the 20th century. His Belwin Course for Strings remains a cornerstone of school orchestra programs, grounded in his belief that students learn most effectively through carefully sequenced repertoire rather than isolated technical exercises.

Why we love this

Bass players finally get genuine duet material that meets them at their actual level rather than simplified violin parts transposed down. Applebaum writes idiomatic lines for each instrument, ensuring both players stay engaged while the bass develops its voice in the ensemble.

What to expect

These duets balance lyrical passages with moments of rhythmic interplay, offering bass players chances to step into melodic roles while also anchoring harmonic foundations. The writing feels conversational rather than hierarchical, with both voices trading ideas in a way that builds ensemble sensitivity.

Who it's for

Young bass players working through Book 2 level material in a string class setting who need duet repertoire that speaks to their developing musicianship without condescension. Teachers seeking authentic two-part writing that keeps both players musically invested.

How to get the most out of it

  • Balance the dynamic relationship between parts by having the bass player listen actively to the melodic line and adjust volume so both voices remain clear rather than allowing the lower register to overshadow.
  • Establish a steady internal pulse before each piece; having the bass anchor the rhythm prevents the higher part from drifting into a faster tempo.
  • Experiment with vibrato entry gradually across these duets, using pieces later in the collection as the point where vibrato becomes a consistent tool rather than an occasional effect.

How to use it

Use these duets in private lesson work to build sight-reading confidence and part independence before introducing students to full orchestra sections. They also work well in student recitals or studio classes where young players can perform alongside a peer, creating low-pressure performance opportunities that build musical maturity.

Skills your students will build

  • Reading in treble and bass clefs with equal fluency
  • Balancing two-part texture and listening to a partner
  • Playing both melodic and harmonic roles within the same piece
  • Maintaining steady intonation across a wider range of dynamics
  • Developing vibrato control in context rather than isolation

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