Duets for All Cover Image

Duets for All: Viola Book

$7.99 USD
Sale price  $7.99 USD Regular price 
Skip to product information
Duets for All Cover Image

Duets for All: Viola Book

By Albert Stoutamire and Kenneth Henderson

Item: 00-PROBK01335

$7.99
Shipped

One moment…

Description
Duets for All enables any two instruments to play duets. Not only may two like-instruments such as two flutes play together, but two dissimilar instruments such as violin and tuba may perform all of the duets. The duets cover a wide range of styles and music from baroque through contemporary eras, and they range in difficulty from grades I through IV. Titles: March (Prokofiev) * Allegro (Mozart) * Dance (Kabalevsky) * Andante and Allegro (Stoutamire) * Bourree (Telemann) * Miniature No. 5 (Bartok) * Leaping (Kabalevsky) * Ecossaise (Beethoven) * A Farewell (Purcell) * Song of the North (Grieg) * March of the Tin Soldiers (Tchaikovsky) * Allegretto (Corelli) * The Mechanical Doll (Shostakovich) * The Adventures of Ivan (Khatchaturian) * Bouree (Handel) * Hungarian Rhapsody No. 2 (Liszt) * Ballet of the Chicks (Moussorgsky)

Duets for All: Viola Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5898-0
ISBN13: 978-0-7692-5898-0
UPC: 029156170320
SKU: 00-PROBK01335
Instrumentation: Viola

More about this title

About the Author: Albert Stoutamire

Albert Stoutamire was a composer and educator who contributed significantly to accessible instrumental music education. His work emphasized practical solutions for classroom and studio settings, with particular attention to flexible instrumentation that served ensembles of varying resources.

Stoutamire's compositions and arrangements demonstrate a philosophy that musical growth should never depend on having exactly the "right" instruments on hand. This pragmatic approach made his work essential in school music programs across multiple decades.

Why we love this

The repertoire spans centuries and styles without feeling scattered, moving fluidly from baroque court dances to early twentieth-century character pieces. What sets this collection apart is that it genuinely solves the instrumentation puzzle: viola students finally have a duet book written specifically in their range, yet the flexible scoring means they can play with almost any other instrument in the school. The musical selections reward careful ensemble listening while staying accessible enough that early-intermediate students sound mature and engaged.

What to expect

These duets feel like conversations across musical centuries. You move from the courtly elegance of Telemann and Handel into Romantic character pieces with genuine narrative flair, then into the bright, sometimes whimsical modern voice of Shostakovich and Khachaturian. The variety keeps rehearsals fresh while the consistent accessibility means you're always making real musical progress, not just working through technical hurdles.

Who it's for

Viola students in grades 2-4 who want duet experience beyond method book exercises, and directors seeking flexible repertoire for chamber coaching. This book is equally valuable for private teachers building ensemble skills in students who may not have formal quartet access.

How to get the most out of it

  • Balance the viola part against your partner by listening more than you lead. In transparent pieces like Telemann's Bourree and Handel's Bourree, clarity comes from matching articulation and phrase shape, not from playing louder.
  • Map the harmonic function of each part before rehearsal. Many of these duets assign viola either the melody or a supporting voice that moves in contrary motion; knowing your role prevents the common trap of unintentionally pulling focus from the main line.
  • Approach the Russian and early twentieth-century selections (Shostakovich, Khachaturian, Kabalevsky, Moussorgsky) with rhythmic precision. These pieces reward exactness in articulation and rely on strong metric foundation rather than expressive rubato.
  • Shape phrases with natural breathing even on your instrument. Observe where your duet partner breathes and align your phrase endings, which creates coherence when the two lines interweave.

How to use it

Assign these duets as supplementary chamber repertoire for advanced section students preparing for all-state or chamber festivals. They also work beautifully in studio recitals where students want to perform with one another without the commitment of a full quartet, and they fit naturally into a string orchestra warm-up rotation when you pair compatible instruments for alternating rehearsals.

Skills your students will build

  • Reading and sustaining viola lines across baroque to contemporary harmonic language
  • Balance and blend in two-part texture, including knowing when to recede and when to carry the line
  • Rhythmic precision in Russian and twentieth-century idioms with mixed meters and syncopation
  • Ensemble independence while maintaining unified phrasing and articulation with a single partner
  • Quick transposition and part awareness when pairing with instruments in different keys

You May Also Like