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Duets for All: Violin Book

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Duets for All Cover Image

Duets for All: Violin Book

By Albert Stoutamire and Kenneth Henderson

Item: 00-PROBK01334

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Description
Duets for All enables any two instruments to play duets. Not only may two like-instruments such as two flutes play together, but two dissimilar instruments such as violin and tuba may perform all of the duets. The duets cover a wide range of styles and music from baroque through contemporary eras, and they range in difficulty from grades I through IV. Titles: March (Prokofiev) * Allegro (Mozart) * Dance (Kabalevsky) * Andante and Allegro (Stoutamire) * Bourree (Telemann) * Miniature No. 5 (Bartok) * Leaping (Kabalevsky) * Ecossaise (Beethoven) * A Farewell (Purcell) * Song of the North (Grieg) * March of the Tin Soldiers (Tchaikovsky) * Allegretto (Corelli) * The Mechanical Doll (Shostakovich) * The Adventures of Ivan (Khatchaturian) * Bouree (Handel) * Hungarian Rhapsody No. 2 (Liszt) * Ballet of the Chicks (Moussorgsky)

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5475-6
ISBN13: 978-0-7692-5475-3
UPC: 029156217971
SKU: 00-PROBK01334
Instrumentation: Violin

More about this title

About the Author: Albert Stoutamire

Albert Stoutamire was a composer and music educator whose contributions to instrumental pedagogy extended across multiple decades. His work with Kenneth Henderson on the For All series represents a thoughtful approach to flexible ensemble music, designed to serve the practical needs of school music programs and private instruction.

Why we love this

This collection solves a genuine logistical problem: pairing students of different instruments without forcing transposition or rewrites. The repertoire draws from recognizable masterworks—Prokofiev, Handel, Tchaikovsky, Liszt—so students engage with genuine musical literature rather than exercises. The progression from Grade I through Grade IV means you can use these duets across your entire studio or rehearsal space, making it an unusually practical investment for mixed instrument environments.

What to expect

A tour through musical history in miniature. One moment you're stepping smartly through a baroque courtier's dance; the next you're navigating the clockwork rhythms of a mechanical toy or leaping playfully through a Russian folk character piece. The pieces are concise enough to feel fresh and achievable but substantial enough to require genuine musicianship.

Who it's for

Violin students in private lessons or group settings who need repertoire for duet performances with peers playing any other instrument. Directors running flexible ensemble programs or special projects will find this especially useful for assembling duets without hunting through multiple publishers or dealing with transposition challenges.

How to get the most out of it

  • Balance your tone by listening carefully to your partner's dynamic; the violin's piercing high register can easily overshadow an instrument with naturally darker projection, so adjust your volume to blend rather than dominate.
  • Lock the tempo together before each piece by counting a measure or two in unison; these duets often feature independent rhythmic figures, so a shared pulse from the start prevents one player from pulling ahead.
  • Mark breathing points or natural phrase divisions in your part if your partner plays a wind instrument; this prevents you from playing through moments where they need air, keeping the duet cohesive.

How to use it

Use individual selections as recital material when your violin student needs a duet partner from a different section. The span from Grades I through IV makes it practical for mixed-level studio events or school showcases where you want to feature both beginning and advanced players. Alternatively, pull a collection of these pieces for a short concert segment that demonstrates how flexible instrumentation expands collaborative performance opportunities.

Skills your students will build

  • Listening and blending with unfamiliar instruments
  • Maintaining rhythmic independence while supporting a partner's melodic line
  • Reading and interpreting stylistically diverse material across four centuries
  • Phrase shaping and breathing coordination with non-string instruments
  • Score literacy across Grade I through Grade IV difficulty levels

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