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Dreams Were Made to Come True: Choral Octavo SoundTrax CD

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Dreams Were Made to Come True Cover Image

Dreams Were Made to Come True: Choral Octavo SoundTrax CD

Words and music by Nathaniel Stine

Item: 00-51187

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Description
This inspiring anthem reminds us that dreams create endless possibilities. An arpeggiated accompaniment, conservative vocal ranges, and a pop-style melody make this easy to learn and a joy to sing. Opens with an optional solo---"Dream a dream, plant a seed, hoping someday it will grow."

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081582245
SKU: 00-51187

More about this title

About the Composer: Nathaniel Stine

Nathaniel Stine

Nathaniel Stine grew up on Boston's North Shore and earned his Bachelor of Music in Vocal Performance from Gordon College in Massachusetts. He completed his Master of Music in Choral Music at the University of Southern California, then relocated to North Carolina in 2001 to serve as Minister for Worship Arts at Chapel Hill Bible Church, a position he held for sixteen years.

Currently, Stine directs the chorus and orchestra at Rogers-Herr Middle School in Durham, North Carolina, and serves as Choir Director at Blacknall Presbyterian Church. A versatile musician since elementary school on piano, guitar, and saxophone, he has performed and arranged across the country, appearing at Carnegie Hall as a featured pianist and arranger with the Tim Janis Ensemble alongside artists including Sarah McLachlan, James Galway, and Tori Kelly. Beyond music, Stine is an avid crossword puzzler, cook, and devoted fan of Boston sports teams.

Why we love this

This anthem avoids the trap of oversinging; the conservative vocal ranges and straightforward pop melody let young singers succeed immediately while the arpeggiated accompaniment provides harmonic interest without complexity. The optional solo opening creates a memorable moment that rewards your best vocalist without requiring elaborate staging. Stine has written something genuinely singable that still feels special in performance.

What to expect

Uplifting and optimistic, with a contemporary pop sensibility that feels current rather than dated. The arpeggiated accompaniment creates a shimmering, almost dreamlike quality that matches the text perfectly, while the straightforward melody lets the message land clearly.

Who it's for

Choirs with singers ranging from beginning to intermediate level will find this piece immediately accessible. The conservative ranges and pop melody suit holiday concerts and winter programs where you need music that communicates joy without demanding advanced vocal technique.

How to get the most out of it

  • Shape the optional solo with genuine vulnerability in that opening phrase. The "dream a seed, plant a seed" text carries the entire emotional premise, so encourage your soloist to let it breathe.
  • Balance the pop-style melody against the arpeggiated accompaniment by keeping voices light and forward rather than seated back in the tone. This style reads best when articulation is clean and rhythmic.
  • Use the recorded accompaniment to lock your tempo early in rehearsal. The groove sits in a specific pocket, and matching it prevents the piece from dragging during performance.
  • Layer in dynamics gradually through rehearsals. The piece builds naturally, but many young choirs undershoot the final sections; mark a clear crescendo into the final statements to capture the anthem's inspirational arc.

How to use it

This works beautifully as a centerpiece for a winter or holiday concert where you want an anthem with secular appeal and genuine emotional resonance. It pairs well alongside traditional carols or other contemporary sacred works, offering your audience a moment of real uplift without requiring Christmas-specific programming.

Skills your students will build

  • Singing within a limited, comfortable range while maintaining phrase shape and line
  • Tracking a rhythmic, contemporary pop-style melodic line
  • Blending voices in homophonic textures with steady harmonic accompaniment
  • Responding to dynamic shaping and building intensity through a complete phrase
  • Performing with a soloist in a choral context

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