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Dream a Little Dream of Me: SoundTrax Digital Audio Download

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Dream a Little Dream of Me Cover Image

Dream a Little Dream of Me: SoundTrax Digital Audio Download

(with Debussy's "Clair de Lune")

Arr. Andy Beck

Item: 00-A-00015943

$29.98
Digital Download

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015943

More about this title

About the Composer: Gus Kahn

Gus Kahn (1886-1941) was one of America's most prolific lyricists, crafting words for over 1,600 songs across vaudeville, Broadway, and early Hollywood. His gift for combining witty, conversational lyrics with singable melodies made him a favorite of performers from Bing Crosby to Ella Fitzgerald. Though he wrote the lyrics rather than the music for most of his catalog, his collaborations with composers like Fabian Andre shaped the jazz standard repertoire that still defines American popular song.

Kahn's work represents a pivotal moment in music history when the tin Pan Alley songwriter gave way to the modern standard. His ability to write for the human voice, capturing both humor and genuine emotion in a few spare lines, influenced generations of songwriters. In choral settings, his songs reward singers who understand the conversational ease beneath what can seem like simple melodies.

Why we love this

Andy Beck's arrangement captures the unhurried sweetness of this jazz standard without sacrificing sophistication. The recorded accompaniment provides a real band sound that lets singers focus on intonation and phrasing rather than fighting against a piano, and the optional instrumental parts open up options for small jazz combos or full instrumental accompaniment.

What to expect

Warm and intimate despite the full arrangement. The melody drifts through the changes with the kind of ease that comes from decades of radio singers knowing exactly how to deliver it. There's no false urgency here, just the comfort of a familiar tune that rewards close listening.

Who it's for

High school and college choral ensembles looking to add a genuine jazz standard to their repertoire without arranging it from scratch. Singers who've learned pop or show choir styles will find this accessible, but the harmonic content and swing feel demand attention to intonation and rhythmic independence.

How to get the most out of it

  • Shape the melody with conversational phrasing rather than strict metrical emphasis; these lyrics ask for the ease of spoken speech set to song
  • Balance the recorded accompaniment level so singers hear themselves clearly in the blend without feeling drowned out by the band sound
  • Work rhythm section precision against the vocal lines separately during rehearsal, then bring them together only once each part is secure

How to use it

Position this as a lighter contrast in a concert heavy with classical or contemporary work. It pairs well alongside other pop arrangements or as a brief, audience-friendly moment that shows your singers' stylistic range. The recording makes it practical for pops concerts or end-of-year showcases where rehearsal time is tight.

Skills your students will build

  • Swing rhythm interpretation and eighth-note subdivision
  • Jazz harmony and chord function recognition
  • Blend and intonation in four-part writing
  • Conversational text delivery and lyrical phrasing

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