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Dream a Little Dream of Me: Choral SoundPax

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Dream a Little Dream of Me: Choral SoundPax

(with Debussy's "Clair de Lune")

Lyrics by Gus Kahn, music by Fabian Andre and Wilbur Schwandt / arr. Andy Beck

Item: 00-50263

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Description
Pink Martini and The von Trapps put a new spin on this old standard, which Nicole Kidman sings as the opening theme for HBO's The Undoing.The dreamy piano intro quotes Debussy's "Clair de Lune" before melting into a relaxed rendition of the familiar tune. Fashion a unique performance with the ukulele, string bass, and melodica SoundPax.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081574332
SKU: 00-50263

More about this title

About the Composer: Fabian Andre

Fabian Andre composed "Dream a Little Dream of Me" in 1930, a song that has become a jazz standard recorded by countless artists across decades. His work represents the golden age of American popular song, when composers crafted melodies with lasting appeal and harmonic sophistication that continue to reward musicians a century later.

Why we love this

Andy Beck's arrangement captures the contemporary vitality of Pink Martini and The von Trapps' rendition while keeping the tune accessible for student choirs. The Debussy quotation in the piano introduction gives your ensemble a chance to explore musical sophistication beyond the standard pop arrangement, and the SoundPax options (ukulele, string bass, melodica) let you build texture and personality without requiring a full instrumental ensemble.

What to expect

Unhurried and wistful, the piece floats on a bed of piano harmony that nods to French impressionism before settling into a swaying, intimate groove. The orchestration feels sophisticated without being precious, inviting listeners into a moment of quiet contentment.

Who it's for

This arrangement works for intermediate to advanced high school choirs and collegiate ensembles seeking contemporary, accessible repertoire with musical substance. It appeals to singers who appreciate jazz standards and to directors building programs that blend familiar material with fresh orchestration.

How to get the most out of it

  • Shape the piano introduction with deliberate pacing; the Debussy reference asks listeners to settle in and listen closely before the melody enters.
  • Balance the vocal line so it floats effortlessly over the accompaniment rather than pushing through it; this arrangement thrives on ease and relaxation.
  • Experiment with the instrumental SoundPax parts to find the combination that suits your ensemble's strengths and rehearsal time constraints.

How to use it

Program this as a showcase number on a concert mixing standards with contemporary arrangements, or as an intermission piece that lets the audience breathe between heavier works. Its connection to The Undoing and popular culture makes it a conversation starter that broadens appeal beyond traditional choral audiences.

Skills your students will build

  • Phrasing in legit jazz style with dynamic restraint
  • Reading and interpreting a modern arrangement of a classic melody
  • Balancing choral blend with the piano-led accompaniment
  • Coordinate with optional instrumental parts (ukulele, string bass, melodica)

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