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December Canon: Choral Octavo SoundTrax CD

$29.99 USD
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December Canon Cover Image

December Canon: Choral Octavo SoundTrax CD

Words and music by Mark Burrows

Item: 00-51184

$29.99
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Description
"The wind is cold, the branches bare, but hearts are warm and bright." Despite the chill of December, it's all about hope, peace, and kindling kindness. As you'd expect from a round, a simple melody easily stacks into a complete choral texture. Even better, the conservative-range tune ensures a good fit for all voices. Groups of any age will master the canonic form and enjoy delivering the heartfelt, non-holiday message.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081582214
SKU: 00-51184

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows brings together his experience as a composer, conductor, and music educator across multiple institutional settings. His catalog appears regularly on state and festival competition lists, and he receives ongoing commissions from children's choirs, adult ensembles, and intergenerational festival groups.

Burrows studied music education at Southern Methodist University and earned a graduate conducting degree from Texas Christian University. Based in Fort Worth, Texas, he serves as Director of Children's Ministries at FUMC while maintaining an active composing and conducting schedule.

Why we love this

Burrows constructs the canon with intelligence about voice ranges and ensemble capability, avoiding the high-sitting awkwardness that can plague rounds. The text moves beyond holiday sentiment into a genuinely poignant meditation on hope and kindness that works just as well in spring or fall, giving you flexibility in when you program it across the season.

What to expect

The piece settles into a quiet warmth, the kind of musical comfort that comes from voices moving together through a simple but elegant idea. There's a meditative quality to the stacked melody, and the text lands with genuine emotion rather than sentimentality.

Who it's for

Choirs of any age can perform this work comfortably, from middle school groups through adult ensembles. The conservative vocal range and straightforward canonic structure make it especially useful for developing singers who are building confidence with form and ensemble interdependence.

How to get the most out of it

  • Stagger your entries deliberately in rehearsal before attempting simultaneous starts. Have each voice part enter alone while others listen, then add parts one at a time so singers internalize how their line interacts with the others.
  • Balance the parts by ear rather than volume. The canonic texture can blur if any single voice dominates; ask singers to listen across parts as actively as they listen to their own line.
  • Use the recorded accompaniment as a rehearsal anchor in early readings, then gradually pull it away as your group gains confidence with the form.

How to use it

This works beautifully as a thoughtful transition piece in a mixed winter concert, or as the quiet center of a program that holds heavier repertoire on either side. Its non-denominational, hope-centered text also makes it a natural fit for secular festival competitions.

Skills your students will build

  • Reading and performing canonic form
  • Listening to and balancing multiple melodic lines simultaneously
  • Maintaining independence while part of a larger harmonic structure
  • Singing with expressive restraint and clarity in conservative vocal range

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