December Canon Cover Image

December Canon: 3-Part Mixed Choral Octavo

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December Canon Cover Image

December Canon: 3-Part Mixed Choral Octavo

Words and music by Mark Burrows

Item: 00-51182

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Description
"The wind is cold, the branches bare, but hearts are warm and bright." Despite the chill of December, it's all about hope, peace, and kindling kindness. As you'd expect from a round, a simple melody easily stacks into a complete choral texture. Even better, the conservative-range tune ensures a good fit for all voices. Groups of any age will master the canonic form and enjoy delivering the heartfelt, non-holiday message.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, December Canon: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081582191
SKU: 00-51182

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows brings together conducting experience, compositional skill, and deep knowledge of how choirs learn. His music appears regularly on state and festival lists, and he commissions new work annually for ensembles spanning children's choirs, adult groups, and intergenerational festival gatherings. He holds degrees in music education from Southern Methodist University and in conducting from Texas Christian University.

Based in Fort Worth, Texas, Burrows currently directs children's ministries at FUMC Fort Worth while maintaining an active presence in choral composition across major publishers.

Why we love this

Burrows has engineered a piece that teaches canonic form through genuine musicality rather than technical exercise. The conservative range ensures every voice sits comfortably while the melody's accessibility means singers can focus on blend and independence rather than note-finding. The text delivers warmth without relying on holiday clichés, making this a strong fit for winter programming that values humanity over sentimentality.

What to expect

Despite the winter setting, this piece radiates warmth. The stacked melody creates a gentle, cumulative effect, building texture without volume, while the text's focus on kindness and hope grounds the music in genuine emotion. There's an elegance to simplicity here: the canonic form feels inevitable, as though the melody had to cycle this way.

Who it's for

Young and developing choirs benefit enormously from this piece's approachable form and range. Groups at the middle school level through high school community choirs will find the canonic structure accessible yet engaging enough to feel accomplished when performed well.

How to get the most out of it

  • Start each voice group on its own, unaccompanied, to establish secure independence before combining parts. This clarifies who is singing what during the overlap.
  • Shape the melody as a continuous line across all voices rather than treating each entrance as a separate event. The canon's power comes from unified phrasing.
  • Let the recorded accompaniment support the rehearsal process, but consider performing this a cappella in concert to highlight the singers' control of the canonic texture.
  • Stagger your rehearsal order: teach the melody to everyone first, then layer voices one at a time rather than splitting the choir into SAB sections immediately.

How to use it

Program this alongside other secular winter selections to create a concert that explores the season beyond holiday tradition. Its non-religious language also makes it ideal for school concerts, community festivals, and contest settings where thematic flexibility matters. The 12-page octavo format supports both rehearsal depth and quick turnaround if added later in the season.

Skills your students will build

  • Singing in canon and maintaining independence while blending with other voices
  • Sustaining consistent intonation across overlapping melodic lines
  • Shaping a unified phrase across multiple voice entries
  • Building secure unison melody before adding harmonic complexity

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