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De Profundis: SATB Choral Octavo

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De Profundis: SATB Choral Octavo

By Russell Robinson

Item: 00-38130

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Description
Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: "Out of the depths I have cried to thee, O Lord." Recording provided by University of Florida University Choir and Orchestra, Russell Robinson, Conductor. Optional orchestration (arr. Strommen) available at presser.com/request-rental.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, De Profundis: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 12
UPC: 038081426020
SKU: 00-38130

More about this title

About the Composer: Russell Robinson

Russell Robinson

Russell Robinson has established himself as a conductor and music educator with an international presence that spans six continents. His work has taken him to prestigious venues including Carnegie Hall, Lincoln Center, and the Kennedy Center, where he has led performances and conducted master classes at honor choirs, all-state festivals, and major conferences.

Robinson's prolific output as a composer and arranger includes more than 500 published works covering choral music, instrumental arrangements, and educational resources. His contributions to music education earned him induction into the Florida Music Educators Association Hall of Fame in 2016, and he has held leadership roles including Associate Dean at the University of Florida College of the Arts and National Collegiate Chair for the National Association for Music Education.

Why we love this

Robinson's command of mixed meter and text setting creates a piece that feels both liturgically substantive and immediately engaging for singers. The dual-language structure allows directors to emphasize either the Latin precision or English accessibility depending on their choir's strengths and concert goals, making this far more versatile than a single-language setting.

What to expect

The piece moves with an undercurrent of urgency created by its mixed-meter design, mirroring the psalmist's emotional intensity. Despite its modernist rhythmic language, Robinson's harmonic writing remains lyrical and deeply musical, creating a sound that feels both challenging and spiritually resonant.

Who it's for

This octavo works for intermediate to advanced mixed choirs seeking a contemporary sacred work with liturgical weight and musical substance. Directors preparing festival submissions, spring concert programs, or collaborative concert experiences will find both the SATB version and optional orchestral arrangement compelling.

How to get the most out of it

  • Establish the meter shifts clearly in early rehearsals by conducting through passages in isolation; the Latin sections especially benefit from rhythmic precision before layering text and dynamics.
  • Use the provided recording from the University of Florida University Choir as a reference for pacing and balance, particularly in the transitions between language versions.
  • Shape the dynamic contrasts to highlight the textual meaning of the psalm's journey from despair to hope; avoid treating forte sections as simply louder and instead direct singers' attention to the emotional arc.
  • Consider the optional orchestration as a way to expand this piece beyond festival season; it opens doors for collaboration with instrumental ensembles and community orchestras.

How to use it

Program this as a centerpiece for a sacred music concert or ecumenical service where the psalm's message of supplication and redemption holds particular weight. The dual-language approach also makes it an effective bridge piece in programs that move between liturgical and concert contexts, or as a festival submission that demonstrates your choir's technical capabilities and interpretive maturity.

Skills your students will build

  • Reading and performing mixed meters while maintaining textual clarity
  • Shifting between Latin and English pronunciation and articulation
  • Tracking harmonic movement through chromatic and modal passages
  • Singing with interpretive sensitivity to theological content

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