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Danny Boy: Choral Octavo SoundTrax CD

$27.99 USD
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Danny Boy Cover Image

Danny Boy: Choral Octavo SoundTrax CD

Arr. Mark Hayes

Item: 00-19320

$27.99
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Description
Only Mark Hayes could write such a spectacularly beautiful arrangement of this timeless, emotional Irish air. It opens expressively, with an optional flute, and builds, but culminates in a touching, pianissimo re-statement of the melody that takes your breath away! It's emotionally and musically fulfilling; your choirs will perform it year after year. Along with the flute, an optional percussion part (bells and cymbal) is included in the publication.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081179650
SKU: 00-19320

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has established himself as a prolific composer and arranger with more than 1,750 published works across multiple genres and ensembles. A summa cum laude graduate in Piano Performance from Baylor University, Hayes earned the Award for Exemplary Leadership in Christian Music from his alma mater in 2010 and has conducted at prestigious venues including Lincoln Center, the National Cathedral, and Carnegie Hall.

Beyond his choral writing, Hayes has shaped his legacy through orchestration, musical theater, and an extensive catalog of piano works spanning gospel, classical, jazz, and popular styles. He conducted the world premiere of his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014. His commitment to creating music for diverse audiences and skill levels has made him a defining voice in contemporary concert music.

Why we love this

Hayes brings sophisticated harmonic language and structural refinement to this beloved Irish melody, transforming it from a simple folk tune into a concert-ready work that sustains audience attention through dynamic shape and emotional arc. The optional flute and percussion parts elevate the arrangement without complicating the core choral writing, while the pianissimo final statement of the melody creates a moment of genuine musical tenderness that justifies repeated performances across seasons.

What to expect

The piece unfolds with quiet introspection, gradually gaining warmth and resonance as voices layer and build toward a swell of sound, before retreating into an achingly tender rendition of the familiar melody. It captures the essence of the Irish air while offering fresh harmonic and textural possibilities that make the familiar feel newly discovered.

Who it's for

This octavo works for choirs of intermediate to advanced skill seeking a secular piece with emotional depth and concert appeal. Directors planning festival programs, seasonal concerts, or memorial services will find the arrangement accessible in scope yet musically fulfilling for performers and audiences alike.

How to get the most out of it

  • Treat the opening expressively and with restraint; the optional flute should breathe naturally rather than doubling the vocal line directly. Let the choir listen to the flute as an independent voice that supports rather than shadows.
  • Shape the build section with a gradual increase in vocal intensity and dynamic control. Resist the urge to rush; Hayes's pacing rewards patience and careful phrase architecture.
  • Balance the optional percussion (bells and cymbal) to enhance rather than dominate. These colors work best when they support the harmonic and melodic contours without drawing attention away from the voices.
  • Prepare singers for the final pianissimo restatement by establishing it in rehearsal as the emotional center of the entire piece. The intimacy of this moment depends on absolute focus and stillness from the ensemble.

How to use it

Program this as a concert closer or poignant moment within a mixed season. Its emotional weight and moderate difficulty make it ideal for spring concerts alongside lighter fare, or as a standalone anchor in a program centered on folk traditions and arranged standards.

Skills your students will build

  • Expressive phrasing and dynamic control in a lyrical, song-like context
  • Balancing optional instrumentation (flute and percussion) with choral lines
  • Sustaining soft dynamics and intonation during the pianissimo final statement
  • Interpreting harmonic color within a traditional melody

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