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Daily Warm-Up Exercises for Jazz Ensemble, Volume I: Guitar Book

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Daily Warm-Up Exercises for Jazz Ensemble, Volume I Cover Image

Daily Warm-Up Exercises for Jazz Ensemble, Volume I: Guitar Book

By Mike Lewis and Jack Bullock

Item: 00-SJ8615

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Description
Daily Warm-Up Exercises for Jazz Ensemble was written as a series of studies to aid the jazz group in performance. It is published in two volumes, Volume I for the young or beginning ensemble, and Volume II for the more advanced group. All musical groups need a short period of time during the beginning of a rehearsal to reacquaint their body functions with the needs of making music. Even though individuals warm-up by themselves in preparation for performance, the group as a whole needs to experience basic musical qualities---blend, balance, precision, intonation---together to ensure good ensemble performance. Hopefully, this series will provide the jazz ensemble with materials organized in a logical manner to accomplish these goals.

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Additional Details
Publisher: Alfred Music
Page Count: 16
UPC: 029156634174
SKU: 00-SJ8615
Instrumentation: Guitar

More about this title

About the Author: Mike Lewis

Mike Lewis is an experienced jazz educator and composer who understands the practical demands of directing an ensemble at multiple levels. His work reflects a deep commitment to building pedagogical materials that address real rehearsal needs, from the foundational challenges of young players to the refinement work required of advanced groups.

Why we love this

This book cuts through the noise of generic warm-up routines by offering jazz-specific exercises designed for ensemble cohesion rather than individual virtuosity. Guitar players finally get dedicated material that addresses the unique role of comping and rhythm in jazz while building the listening skills that make a section swing together.

What to expect

Purposeful and grounded. These exercises feel like the practical work of a working ensemble rather than abstract etudes, keeping players engaged in realistic jazz contexts while building fundamental skills.

Who it's for

Jazz ensemble guitarists at the beginning level who need structured, ensemble-focused warm-up material. Directors of young or developing jazz groups will find these exercises useful for establishing shared rehearsal routines before moving into repertoire.

How to get the most out of it

  • Lock in with the rhythm section first. Before addressing blend across the full ensemble, establish a steady pocket with the bass and drums to give guitarists a solid foundation for intonation and timing.
  • Rotate through different comping styles within the same exercise to develop flexibility. Moving from four-feel to swing feel to half-time groove on the same harmonic progression builds muscle memory and ear training simultaneously.
  • Emphasize listening over playing. Have guitarists focus on hearing what's happening around them rather than just executing their own part; this shifts the mindset from solo practice to ensemble awareness.

How to use it

Use these as your opening 10 to 15 minutes of every rehearsal, cycling through different exercises across the week. This consistent routine builds ensemble listening and cohesion before diving into charts and combos.

Skills your students will build

  • Comping rhythm patterns in jazz contexts
  • Ensemble intonation and blend
  • Listening and responding to other ensemble members
  • Precision and timing as a section
  • Jazz articulation and phrasing

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