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Daily Warm-Up Exercises for Jazz Ensemble, Volume I: 4th Trombone Book

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Daily Warm-Up Exercises for Jazz Ensemble, Volume I Cover Image

Daily Warm-Up Exercises for Jazz Ensemble, Volume I: 4th Trombone Book

By Mike Lewis and Jack Bullock

Item: 00-SJ8614

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Description
Daily Warm-Up Exercises for Jazz Ensemble was written as a series of studies to aid the jazz group in performance. It is published in two volumes, Volume I for the young or beginning ensemble, and Volume II for the more advanced group. All musical groups need a short period of time during the beginning of a rehearsal to reacquaint their body functions with the needs of making music. Even though individuals warm-up by themselves in preparation for performance, the group as a whole needs to experience basic musical qualities---blend, balance, precision, intonation---together to ensure good ensemble performance. Hopefully, this series will provide the jazz ensemble with materials organized in a logical manner to accomplish these goals.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-7330-0
ISBN13: 978-0-7692-7330-3
UPC: 029156962581
SKU: 00-SJ8614
Instrumentation: 4th Trombone

More about this title

Why we love this

This book recognizes that ensemble warm-ups serve a fundamentally different purpose than individual preparation. Lewis and Bullock structure these exercises to build the collective foundation every jazz group needs: matched tone, locked intonation, and rhythmic precision across the section. The 4th trombone part ensures your lower voices stay engaged and balanced from the first note of rehearsal.

What to expect

These exercises build gradually through the session, starting simple and layering in rhythmic and harmonic complexity. You'll feel the ensemble lock together as intonation settles and blend improves across the 16 pages, creating that satisfying moment when everyone sounds like one instrument.

Who it's for

This book is designed for 4th trombonists in beginning or young jazz ensembles who need structured material for group warm-up sessions. Whether you're in a school jazz band or a community ensemble building fundamental ensemble skills, these exercises give you purposeful work tailored to your range and role.

How to get the most out of it

  • Listen across the trombone section for blend rather than focusing on your individual sound; adjust your tone color to match the lead and second chairs.
  • Sustain each exercise with consistent air support and steady tone, treating these warm-ups as fundamental musicianship work, not just technical drills.
  • Pay attention to dynamic markings and articulation changes within each exercise; these reinforce ensemble listening habits you'll need during full charts.

How to use it

Open every jazz ensemble rehearsal with these exercises during the first five to ten minutes. They establish the sonic baseline and listening habits your group needs before tackling arrangements, and they work particularly well when your ensemble includes newer players who benefit from this systematic, daily reinforcement.

Skills your students will build

  • Listening for blend and balance within the trombone section
  • Sustaining consistent intonation across extended passages
  • Executing articulation changes in unison with other players
  • Responding to dynamic shifts while maintaining ensemble cohesion
  • Building endurance and tone control appropriate to low brass range

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