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Daily Warm-Up Exercises for Jazz Ensemble, Volume I: Baritone Saxophone Book

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Daily Warm-Up Exercises for Jazz Ensemble, Volume I Cover Image

Daily Warm-Up Exercises for Jazz Ensemble, Volume I: Baritone Saxophone Book

By Mike Lewis and Jack Bullock

Item: 00-SJ8606

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Description
Daily Warm-Up Exercises for Jazz Ensemble was written as a series of studies to aid the jazz group in performance. It is published in two volumes, Volume I for the young or beginning ensemble, and Volume II for the more advanced group. All musical groups need a short period of time during the beginning of a rehearsal to reacquaint their body functions with the needs of making music. Even though individuals warm-up by themselves in preparation for performance, the group as a whole needs to experience basic musical qualities---blend, balance, precision, intonation---together to ensure good ensemble performance. Hopefully, this series will provide the jazz ensemble with materials organized in a logical manner to accomplish these goals.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-3359-7
ISBN13: 978-0-7692-3359-8
UPC: 029156634082
SKU: 00-SJ8606
Instrumentation: Baritone Saxophone

More about this title

Why we love this

This book cuts straight to what jazz ensembles actually need in their first ten minutes together: systematic work on the fundamentals that separate good blending from great blending. Lewis and Bullock understand that individual warm-ups don't build ensemble cohesion, so these exercises target intonation, balance, and precision as a section problem, not an individual one.

What to expect

Focused and purposeful. Each exercise isolates a single element, allowing you to concentrate fully on that challenge without juggling multiple musical demands at once. The progression moves logically from foundational concerns toward more sophisticated ensemble awareness.

Who it's for

Young and beginning jazz ensembles looking for structured warm-up materials that develop musicianship alongside technical facility. This baritone saxophone book works best in ensembles where players are still building comfort with ensemble blend and intonation matching.

How to get the most out of it

  • Listen across the section for consistent tone color before worrying about dynamics. Baritone saxophone sets the harmonic foundation in jazz ensemble voicings, so your sound stability affects how the whole group locks in.
  • Work through these exercises at a steady tempo first, then gradually increase speed once articulation and pitch are secure. Rushing the process defeats the purpose of the warm-up.
  • Use the recorded or conducted pulse as your anchor. These exercises train your internal clock to sync with the ensemble's time feel, which carries directly into repertoire rehearsal.

How to use it

Open every jazz ensemble rehearsal with five to ten minutes from this book, cycling through different exercises across rehearsals rather than repeating the same ones. Think of it as a diagnostic tool that also serves as preventive maintenance for ensemble sound quality.

Skills your students will build

  • Intonation matching within the saxophone section
  • Consistent tone production for ensemble blend
  • Articulation precision and uniformity
  • Balance and dynamics as a group
  • Internal time feel development
  • Listening and adjustment to other section members

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