Crossing a Bridge Cover Image

Crossing a Bridge: Choral Octavo SoundTrax CD

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Crossing a Bridge Cover Image

Crossing a Bridge: Choral Octavo SoundTrax CD

from the Broadway musical Anastasia

Words by Lynn Ahrens, music by Stephen Flaherty / arr. Lisa DeSpain

Item: 00-46993

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Description
The animated movie musical Anastasia made its debut on Broadway in 2017 with a score by the songwriting team that gave us Ragtime and Seussical. As Anya comes to terms with her mysterious memories, will she discover her true identity? A captivating choral arrangement on a coming-of-age theme.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081536422
SKU: 00-46993

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has shaped the sound of contemporary musical theatre across three decades, working alongside lyricist Lynn Ahrens on landmark scores including Ragtime, Seussical, and Anastasia. His melodic gift and harmonic sophistication consistently challenge performers while remaining accessible to audiences; his music sits comfortably in concert halls, Broadway stages, and school choirs alike.

For music educators, Flaherty's output matters because his arrangements and compositions demand real musicianship without requiring extensive vocal ranges or impossible technical demands. His work teaches singers how contemporary songwriting balances accessibility with artistic substance.

Why we love this

This arrangement captures the emotional core of Anastasia's journey without getting weighed down by overwrought orchestration or excessive vocal pyrotechnics. Lisa DeSpain's writing trusts the song's structure and melody to land the character moment, making it rewarding both to teach and to hear in performance.

What to expect

Wistful and searching. The song moves through uncertainty toward a kind of hard-won clarity, with Flaherty's harmonic language supporting that emotional trajectory. There's accessibility here, but also real sophistication in how the arrangement unfolds.

Who it's for

Choirs singing above their reading level but not yet in elite competitive territory. The piece suits groups comfortable with contemporary musical theatre idiom and looking for material that resonates with younger singers on a genuine emotional level.

How to get the most out of it

  • Anchor the emotional arc in the text. This is Anya processing memory and identity, so shape the phrasing around the lyrical content rather than forcing rhythmic precision at the expense of vulnerability.
  • Balance the harmonic colors in the inner voices; Flaherty's arrangement includes meaningful movement in the second soprano and alto lines that shouldn't disappear beneath the melody.
  • Use the recorded accompaniment as a rhythmic reference during early rehearsals, but transition away from it once parts are secure so singers own the interpretive choices.

How to use it

Pair this with other contemporary musical theatre selections for a spring concert, or use it as a standalone feature that bridges serious choral singing and popular musical idiom. It works particularly well in programs exploring identity, self-discovery, or character-driven storytelling.

Skills your students will build

  • Shaping sustained phrases through harmonic and emotional content rather than mechanical phrasing marks
  • Balance and blend in four-part voicing with active inner voices
  • Interpreting contemporary songwriting with theatrical intention while maintaining choral ensemble cohesion
  • Connecting text to musicality in Broadway-style arrangements

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