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Classical Quartets for All: Alto Saxophone (E-flat Saxes & E-flat Clarinets) Book

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Classical Quartets for All Cover Image

Classical Quartets for All: Alto Saxophone (E-flat Saxes & E-flat Clarinets) Book

From the Baroque to the 20th Century

Arr. William Ryden

Item: 00-EL96154

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Description
This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Calm Sea, Opus 3, No. 2 (Schubert) * Dedication, Opus 14, No. 1 (Franz) * Frolicher Landmann (Schumann) * March (Mozart) * Minuet (Mozart) * Music for Queen Mary (I. March, II. Canzona) (Purcell) * Prayer (Humperdink) * Promenade (Mussorgsky) * Salute (Byrd) * Spanish Dance No. 1 (Granados) * Stoptime Rag (Joplin) * Waltz (Schubert).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5539-6
ISBN13: 978-0-7692-5539-2
UPC: 029156297652
SKU: 00-EL96154
Instrumentation: Alto Saxophone (E-flat Saxes & E-flat Clarinets)

More about this title

About the Arranger: William Ryden

William Ryden earned recognition as an arranger and composer through decades of work in music education. His arrangements prioritize accessibility without sacrificing musical integrity, making classical repertoire available to ensembles across skill levels and instrumental combinations.

Why we love this

Ryden's arrangements preserve the character of each piece while writing parts that sit naturally on alto saxophone and E-flat clarinet. The collection spans centuries and styles without feeling like a patchwork, giving your ensemble genuine variety in a single folio that actually works for mixed instrumentation rather than just claiming to.

What to expect

Moving from the stillness of Schubert's contemplative writing to the rhythmic vitality of Joplin's rag, then settling into the stately elegance of a Purcell march. Classical music lives here as conversation between instruments, not solo display.

Who it's for

Intermediate alto saxophone and E-flat clarinet players in mixed quartets or larger ensembles seeking classical repertoire that doesn't require separate arrangements for each instrument. Directors building programs that celebrate flexible instrumentation and composers from multiple periods.

How to get the most out of it

  • Balance the lead voice against the accompanying parts by listening carefully to the harmonic support underneath. The saxophone's natural projection means restraint in the upper register keeps ensemble texture cohesive.
  • Treat the baroque and classical pieces with clear articulation and shorter note values; shift toward longer, more connected phrasing in the 19th-century selections to honor their romantic character.
  • When mixing E-flat clarinets with saxophones, mark dynamic spots in rehearsal because the instruments' timbral differences mean matching dynamic levels by ear alone can blur the balance.

How to use it

Program individual selections across concert seasons to introduce students to different periods without requiring bulky separate collections. A Minuet or two can anchor a classical-era set, while the Spanish Dance or Promenade adds flavor to a more eclectic program.

Skills your students will build

  • Reading parts that balance accompaniment and melodic roles across different classical styles
  • Adjusting tone and phrasing between baroque articulation and romantic expressivity
  • Playing ensemble parts where intonation between E-flat clarinet and saxophone matters acutely
  • Managing the alto saxophone's range across multiple octaves within single movements
  • Recognizing harmonic progressions across different compositional periods through performance

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