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City of Stars: Choral Octavo SoundTrax CD

$29.99 USD
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City of Stars Cover Image

City of Stars: Choral Octavo SoundTrax CD

Music from the Motion Picture La La Land

Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul / arr. Jay Althouse

Item: 00-46732

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Description
And the Oscar goes to . . . this, the signature song from critically acclaimed and highly awarded La La Land. Winner of Best Original Song at the Academy Awards®, the Golden Globes, and the Critic's Choice Movie Awards, this melancholy yet hopeful ballad features a haunting tune and a distinctive piano accompaniment that are instantly recognizable and extremely well suited for choral groups.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081531878
SKU: 00-46732

More about this title

About the Composer: Justin Hurwitz

Justin Hurwitz is a composer whose work across film and television demonstrates a gift for writing melody that lingers long after the final note. His score for La La Land marked a watershed moment in contemporary film music, earning him an Academy Award for Best Original Song alongside multiple other major awards. His ability to balance emotional depth with accessibility makes his work particularly valuable for choral arrangers and directors seeking repertoire that resonates with both performers and audiences.

Why we love this

This arrangement captures the film's iconic melody while serving the acoustic and interpretive strengths of a choral ensemble. The SoundTrax accompaniment gives you the recorded instrumental backing that made this song unforgettable, letting singers focus on phrasing and ensemble blend rather than fighting to hear themselves over an accompaniment. Choosing this piece signals to your audience that you understand contemporary song craft and are willing to program music that matters culturally.

What to expect

A moment of quiet reflection touched by cinema's emotional intelligence. The melody unfolds with a haunting restraint, never pushing but always present, while the piano accompaniment creates an intimate backdrop that feels both distant and deeply personal. The song carries the bittersweet quality of hope grounded in reality, making it feel simultaneously contemplative and gently uplifting.

Who it's for

Choirs performing in concert settings where contemporary, critically acclaimed repertoire enhances programming credibility. Directors seeking a piece that appeals to younger singers and audiences familiar with the film while maintaining genuine musical substance. Ensembles comfortable with acoustic accompaniment tracks and interested in exploring how award-winning film music translates to the choral stage.

How to get the most out of it

  • Shape the melody with restraint. The song's power lives in its simplicity, so resist the urge to oversell the phrasing; let the piano accompaniment do much of the emotional work.
  • Balance the octaves carefully in the opening phrases. The distinctive tune needs clarity, so ensure upper and lower voices support rather than compete with the lead line.
  • Listen closely to the recorded accompaniment during rehearsals to nail the harmonic entrances. The piano voicings are integral to the song's character, and tight coordination between singers and track matters greatly.
  • Pay attention to vowel placement on the highest sustained notes. The melancholy quality depends partly on keeping those moments intimate rather than soaring.

How to use it

Pair this with other contemporary art songs or film music to create a thematic segment exploring how modern composition serves narrative and emotion. The piece works equally well as a concert opener that draws the audience immediately into a reflective space or as part of a finale that sends listeners out thoughtfully. Its recognizability also makes it an effective program bridge between traditional repertoire and newer works.

Skills your students will build

  • Sustaining long phrases with consistent vowel quality and breath control
  • Blending voices while maintaining melodic clarity in a homophonic texture
  • Listening to and tracking with recorded accompaniment
  • Interpreting sparse, restrained melody to convey emotional depth
  • Balancing ensemble sound across multiple voice parts in a contemporary idiom

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