Christmas Is Coming Cover Image

Christmas Is Coming: Choral Octavo SoundTrax CD

$27.99 USD
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Christmas Is Coming Cover Image

Christmas Is Coming: Choral Octavo SoundTrax CD

Traditional English Round / arr., with new words and music, by Andy Beck

Item: 00-46568

$27.99
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Description
A festive setting of the English round that will come together quickly at that busy time of year! A rousing antiphonal treatment (a fanfare) leads into the traditional tune, followed by a newly composed bridge. Later, the unison melody becomes a 2-part, and eventually a 3-part round. A wonderful opener for holiday performances!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081531434
SKU: 00-46568

More about this title

About the Arranger: Andy Beck

Andy Beck

Andy Beck leads choral publications at Alfred Music, where he oversees a catalog reflecting his deep commitment to both choral artistry and music literacy. His output spans over 450 choral works, vocal resources, and children's musicals; his pedagogical contributions include the widely used resources Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique.

Beyond the page, Beck maintains an active presence as a guest conductor, adjudicator, and clinician across the United States and internationally. He holds degrees from Ithaca College (Bachelor's in Music Education) and Northwest Missouri State University (Master's in Music Education), and brings performance experience as a tenor, musical theatre director, and member of the North Carolina Master Chorale Chamber Choir. Since 1992, he has also worked as a studio singer for Alfred Music, grounding his editorial work in the realities of both rehearsal and performance.

Why we love this

Beck's treatment turns a familiar round into a layered, purposeful choral experience without demanding extra rehearsal time. The progression from fanfare through unison melody to multi-part round gives your singers immediate success while building toward genuine musical sophistication, and the newly composed bridge provides fresh material that anchors the piece within your holiday concert.

What to expect

Festive and bright, with an architectural confidence that builds from fanfare through tradition to genuine three-part complexity. The piece captures holiday energy without resorting to sentimentality, balancing a crisp opening gesture against the warmth of singers' voices layering over the timeless round melody.

Who it's for

Directors working with mixed choirs of any age who need repertoire that sounds polished immediately but allows for genuine learning. This piece suits groups with limited rehearsal time, since the round form and familiar tune accelerate preparation while the antiphonal framework and bridge offer arranging sophistication that engages experienced singers.

How to get the most out of it

  • Bring precision to the opening fanfare by having singers lock their attacks together; this sectional clarity sets the stage for everything that follows and captures the audience immediately.
  • Use the recorded accompaniment to establish tempo and harmonic stability during rehearsals, then gradually shift focus to ensemble intonation within each round section.
  • Mark the transitions between unison, 2-part, and 3-part configurations clearly in scores so singers understand exactly when their responsibilities shift.
  • Balance the antiphonal opening with the traditional melody by adjusting microphone placement if amplified, or by positioning singers strategically if acoustic; the fanfare should support rather than bury the round that follows.

How to use it

Open your holiday concert with this piece to establish energy and set an uplifting tone immediately. The quick preparation time makes it ideal for mid-November programming, and its accessibility invites sing-along moments without sacrificing the sophistication you want to project.

Skills your students will build

  • Singing independent melodic lines within a round texture
  • Following sectional cues in antiphonal writing
  • Shifting vocal responsibilities from unison to 2-part to 3-part arrangement
  • Maintaining intonation while layering voices over a fixed harmonic foundation
  • Responding to recorded accompaniment for blend and tempo alignment

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