Christmas Canon: 2-Part Choral Octavo
Based on Pachelbel's "Canon in D"
Words and music by Paul O'Neill / arr. Andy Beck
Item: 00-PO-0006054
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Paul O'Neill
Paul O'Neill founded the Trans-Siberian Orchestra and served as its creative driving force, composing and arranging much of the group's catalog. His work blends classical music structures with contemporary rock sensibilities, creating theatrical arrangements that appeal to both traditional and pop audiences.
Why we love this
This arrangement respects Pachelbel's iconic harmonic foundation while making it accessible to choirs with limited rehearsal time. The layered vocal writing builds naturally, giving singers the satisfaction of creating texture without requiring complex part independence or extensive musicianship demands.
What to expect
Elegant and energetic at once. The familiar progression grounds listeners in something classical, while the contemporary voicing and instrumentation keep it fresh and modern. There's a sense of building momentum as layers enter, creating grandeur from simplicity.
Who it's for
Directors looking for a substantial holiday showpiece that doesn't demand weeks of rehearsal from singers. This works equally well for school choirs, community groups, and church ensembles seeking something between traditional carols and contemporary pop arrangements.
How to get the most out of it
- Teach the vocal line through repetition first; the patterned melody sticks quickly once singers hear it two or three times.
- Have your pianists rehearse the four-hand part separately before the first full run-through. Coordination between the two players matters more than technical facility.
- Use the SoundTrax accompaniment in early rehearsals to let singers focus on their parts without relying on piano support.
- Layer the voices gradually in performance; start with Part 1 alone, then add Part 2 as the piece builds. This architectural approach is built into the arrangement.
How to use it
Position this as a centerpiece in your winter concert where it can bridge classical and contemporary programming. It pairs naturally with Bob Phillips' string orchestra arrangement if your ensemble has instrumental forces, or stands alone powerfully with the recorded accompaniment for smaller programs.
Skills your students will build
- Singing layered harmonic parts and hearing individual lines within a larger texture
- Maintaining steady rhythm and blend while other voices enter and establish independence
- Understanding canon and ostinato as structural devices in composition
- Responding to dynamic and textural cues that build intensity over time