Christmas Canon Sheet Music Preview

Christmas Canon: 2-Part Choral Octavo

Based on Pachelbel's "Canon in D"

Words and music by Paul O'Neill / arr. Andy Beck

Item: 00-PO-0006054

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$2.10

Minimum order quantity: 20 copies

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Description
From Trans-Siberian Orchestra's triple platinum album, Christmas Eve and Other Stories, this respectful treatment of Pachelbel's Canon features patterned vocal parts that can be quickly taught and layered. The four-hand piano accompaniment is for two players at one piano, but is not difficult to play. Combine with Bob Phillips' string orchestra arrangement or the classical sounding SoundTrax CD. A highlight for any holiday concert!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006054

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded the Trans-Siberian Orchestra and served as its creative driving force, composing and arranging much of the group's catalog. His work blends classical music structures with contemporary rock sensibilities, creating theatrical arrangements that appeal to both traditional and pop audiences.

Why we love this

This arrangement respects Pachelbel's iconic harmonic foundation while making it accessible to choirs with limited rehearsal time. The layered vocal writing builds naturally, giving singers the satisfaction of creating texture without requiring complex part independence or extensive musicianship demands.

What to expect

Elegant and energetic at once. The familiar progression grounds listeners in something classical, while the contemporary voicing and instrumentation keep it fresh and modern. There's a sense of building momentum as layers enter, creating grandeur from simplicity.

Who it's for

Directors looking for a substantial holiday showpiece that doesn't demand weeks of rehearsal from singers. This works equally well for school choirs, community groups, and church ensembles seeking something between traditional carols and contemporary pop arrangements.

How to get the most out of it

  • Teach the vocal line through repetition first; the patterned melody sticks quickly once singers hear it two or three times.
  • Have your pianists rehearse the four-hand part separately before the first full run-through. Coordination between the two players matters more than technical facility.
  • Use the SoundTrax accompaniment in early rehearsals to let singers focus on their parts without relying on piano support.
  • Layer the voices gradually in performance; start with Part 1 alone, then add Part 2 as the piece builds. This architectural approach is built into the arrangement.

How to use it

Position this as a centerpiece in your winter concert where it can bridge classical and contemporary programming. It pairs naturally with Bob Phillips' string orchestra arrangement if your ensemble has instrumental forces, or stands alone powerfully with the recorded accompaniment for smaller programs.

Skills your students will build

  • Singing layered harmonic parts and hearing individual lines within a larger texture
  • Maintaining steady rhythm and blend while other voices enter and establish independence
  • Understanding canon and ostinato as structural devices in composition
  • Responding to dynamic and textural cues that build intensity over time

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