Christmas Canon Cover Image

Christmas Canon: String Orchestra Conductor Score & Parts

$70.00 USD
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Christmas Canon Cover Image

Christmas Canon: String Orchestra Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Based on "Canon in D" by Johann Pachelbel, words and music by Paul O'Neill / arr. Bob Phillips and Andy Beck

Grade: 3

Item: 00-47483

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Description
This striking setting by Trans-Siberian Orchestra, combining Pachelbel's famous "Canon in D" with original vocals, is sure to delight performers and audiences alike! This string parts, arranged by Bob Phillips, allow a joint performance by the orchestra and choir. The vocal parts, arranged by Andy Beck, are available in several voicings and may be performed without the orchestra, accompanied by keyboard or an optional SoundTrax CD. The orchestra arrangement does require vocals for a complete performance. Christmas Canon will be a highlight of the holiday concert! Components available: String Orchestra Accompaniment (47483) * SATB (47633) * SSAB (47634) * SSAA (47635) * 2-part (47636) * SoundTrax CD (47637).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Canon: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert String Orchestra
Publisher: Alfred Music
Page Count: 108
ISBN10: 1-4706-6480-1
ISBN13: 978-1-4706-6480-0
UPC: 038081547442
SKU: 00-47483

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is a composer and founding member of the Trans-Siberian Orchestra, the theatrical rock band known for blending classical music with contemporary rock and elaborate live production. His work in film scoring and concert music has reached millions through both recorded albums and touring performances that prioritize musical sophistication and accessibility together.

O'Neill's compositions often honor classical foundations while expanding their reach to modern audiences. His approach to arranging familiar works, particularly holiday pieces, demonstrates how timeless melodies can sustain new energy and relevance across generations of listeners.

Why we love this

This arrangement solves a genuine programming challenge: how to feature both your string orchestra and choir in the same piece without forcing either group to sit idle. The fusion of Pachelbel's iconic harmonic progression with original melodic writing creates a natural scaffolding that keeps both ensembles engaged, and the rock-influenced orchestration gives Grade 3 players material that feels contemporary and exciting rather than antiquated.

What to expect

Bright and propulsive, with the mathematical precision of the Canon providing a stable foundation beneath soaring vocal lines and lush string harmonies. The rock-tinged energy prevents the familiar progression from feeling static, while the Christmas text brings warmth and accessibility that audiences anticipate and embrace during the holiday season.

Who it's for

String orchestra directors who want to create a substantial collaborative concert moment without commissioning entirely new music, and choral directors seeking orchestral backing that elevates their holiday programming. This works equally well as a conductor score for rehearsal purposes or as a performance vehicle at winter concerts where blended ensembles signal musical ambition and holiday festivity together.

How to get the most out of it

  • Balance the string texture against the vocal line by having the orchestra support rather than compete with the singers. The famous Canon progression anchors the piece, so let it breathe underneath the lyrics.
  • Pay attention to the rhythmic drive that separates this from traditional baroque interpretations. The rock influences in the orchestration require a steady, propulsive pulse rather than the gentle sway of period arrangements.
  • Rehearse orchestra and choir separately first to cement parts, then stage unified rehearsals early enough to address blend and intonation issues where both groups meet the strongest.
  • Use the SoundTrax CD (sold separately) during early rehearsals to give students a full reference recording, especially valuable for helping the string players understand how their part sits within the complete texture.

How to use it

Program this as the centerpiece of a winter concert that features both orchestral and choral performances, positioning it as the moment where ensemble work becomes truly collaborative. The piece works particularly well as a finale or as the bridge between separate orchestra and choir segments, demonstrating how your students have grown together through the season.

Skills your students will build

  • Balancing independent ensemble parts within a larger orchestral texture
  • Maintaining rhythmic precision within rock-influenced grooves
  • Listening actively to a secondary ensemble while performing their own part accurately
  • Interpreting the Canon progression in a contemporary harmonic context rather than period style
  • Sustaining musical character across extended passages with minimal melodic variety

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