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Children, Go Where I Send Thee: SATB Choral Octavo

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Children, Go Where I Send Thee Cover Image

Children, Go Where I Send Thee: SATB Choral Octavo

Arr. Ruth Elaine Schram

Level: Moderate

Item: 00-SVM04010

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Description
Ruth Elaine Schram brings us this SATB voicing of her exceptional setting of the traditional Christmas spiritual "Children, Go Where I Send Thee." You'll want to perform this one for years to come.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Children, Go Where I Send Thee: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Studio PR Catalog
Publisher: Alfred Music
Page Count: 12
UPC: 654979069232
SKU: 00-SVM04010

More about this title

About the Arranger: Ruth Elaine Schram

Ruth Elaine Schram is a choral composer and arranger whose work centers on spiritual and sacred music. Her settings of traditional hymns and spirituals have become staples in school and church choral programs, known for their accessibility and musical integrity.

Why we love this

Schram's arrangement respects the spiritual's roots while creating space for genuine four-part writing that Grade 3 singers can navigate without oversimplification. The piece remains fresh and engaging across multiple performances, rewarding both choir and audience with each return to it.

What to expect

Grounded and purposeful, with the warmth of a spiritual sung among friends. The four-part harmony carries both strength and tenderness, inviting singers to inhabit the story rather than simply deliver it.

Who it's for

Choral programs looking for a Christmas piece that honors tradition without condescension. Grade 3 singers benefit from the moderate difficulty and clear part writing, while directors value an arrangement that invites repeated performances without wearing thin.

How to get the most out of it

  • Let the text drive your phrasing and dynamic shapes. The spiritual's narrative momentum should feel natural, not imposed.
  • Balance the SATB lines carefully in passages where voices move independently; no single part should dominate the harmonic landscape.
  • If using the recorded accompaniment, rehearse with it early and often so singers absorb the harmonic foundation before performance.
  • Emphasize the spiritual's call-and-response character where present; this gives the piece its conversational energy and keeps younger singers engaged.

How to use it

Feature this during a holiday concert as a moment of reflection and connection, or pair it with other spirituals to build a thematic set. The piece's moderate difficulty makes it suitable for mid-winter concert planning when rehearsal time is precious.

Skills your students will build

  • Four-part SATB voice leading with independent melodic lines
  • Expressive text interpretation in spiritual tradition
  • Rhythmic precision in syncopated spiritual phrasing
  • Harmonic listening and blend across choir sections

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