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Cantimus de Amore: PianoTrax Digital Audio Download

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Cantimus de Amore Cover Image

Cantimus de Amore: PianoTrax Digital Audio Download

(We Sing of Love)

Words by John Parker, music by Mark Hayes

Item: 00-A-00015929

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015929

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes holds a summa cum laude degree in Piano Performance from Baylor University and has built one of the most prolific catalogs in American music, with over 1,750 published compositions across every genre and ensemble type. His work as a composer, arranger, and conductor has taken him to Lincoln Center, Carnegie Hall, the National Cathedral, and beyond; he premiered his Requiem at Lincoln Center in 2013 and conducted it again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.

Beyond the concert hall, Hayes has demonstrated remarkable range as a musical creator. He scored the award-winning theatrical production Civil War Voices, orchestrated the musical Madame Buttermilk, and arranged music for theatrical premieres. His particular passion for writing for the piano has resulted in over 100 published piano books spanning gospel, classical, jazz, and Broadway idioms. Based in Kansas City, Missouri, Hayes continues to compose with an explicit mission to create music that serves the global music-making community.

Why we love this

Hayes brings the sensibility of a working pianist to his choral writing, which means the accompaniment patterns sit naturally under singers' hands and the vocal lines themselves have the kind of melodic grace that rewards careful phrasing. The recorded accompaniment frees you from tracking down an accompanist while still allowing flexibility in rehearsal, and the piece reads as concert-ready material that doesn't require heavy arranging or reworking to land effectively.

What to expect

The piece inhabits a warmly romantic space, with Hayes's gift for graceful melody creating an inviting, intimate atmosphere. The text is honored with straightforward musical sincerity rather than theatrical gesture, making it feel genuine and deeply musical rather than precious or overwrought.

Who it's for

SATB choirs of intermediate to advanced capability who want secure, beautifully crafted secular repertoire. Directors building concert programs with a mix of sacred and secular works will appreciate the consistency of Hayes's musical language and the professional sound the recorded accompaniment provides.

How to get the most out of it

  • Listen through the recorded accompaniment once as a full choir before sectionals to establish the harmonic and textural landscape; singers often need that aural context before working on their individual lines.
  • Balance the romantic character of the text with rhythmic clarity in the accompaniment. Hayes's piano writing is idiomatic but transparent, so resist the urge to over-pedal or blur the harmonic progression.
  • Attend to the independence of the voice parts, particularly where the accompaniment might tempt singers to sit back. Each line carries melodic weight and contributes to the overall color.

How to use it

Pair this with other Hayes arrangements or original works to build a substantive second half of a concert program, or use it as an elegant bridge between larger choral works and solo repertoire. The recorded accompaniment makes it an excellent choice for spring concerts or smaller formal events where you want polished, professional sound without the logistics of hiring an accompanist.

Skills your students will build

  • Singing over sustained harmonic changes with tonal security
  • Balancing independent melodic lines within SATB texture
  • Phrasing vocal melody with awareness of the underlying piano harmony
  • Interpreting romantic choral style with emotional restraint

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