Can't Wait for Christmas: 2-Part Choral Octavo
Words and music by Douglas E. Wagner
Item: 00-PO-0000720
Minimum order quantity: 20 copies
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More about this title
About the Composer: Douglas E. Wagner

Douglas E. Wagner brings three decades of high school music directing experience to his prolific composing career. Educated at Butler University with degrees in music at both undergraduate and graduate levels, Wagner has established himself as one of the most performed composers in American music education, with over 3,500 published works spanning choir, band, orchestra, handbells, organ, piano, and voice.
Since 1973, more than seventeen million copies of Wagner's music have found their way into rehearsal rooms and concert halls worldwide. His compositions appear regularly on broadcasts and in performances across the United States and internationally, reflecting a compositional voice deeply rooted in the needs and capabilities of student musicians. Wagner resides in Indianapolis with his wife, Sandy.
Why we love this
Wagner nails the tone here: this piece captures genuine excitement without slipping into saccharine territory. The syncopated rhythms and memorable chorus give singers something engaging to sink their teeth into, and the festive energy translates immediately to an audience. It's the kind of novelty number that stays fun for both performers and listeners across multiple performances.
What to expect
The piece sparkles with the kind of anticipatory energy kids actually feel before a holiday break. Syncopated grooves and a hook-laden chorus create momentum and joy without pretension, capturing the spirit of countdown excitement in musical form.
Who it's for
Directors building a holiday program need a piece that energizes both singers and audience. This works well for middle school through high school choirs, particularly ensembles that enjoy lighter, rhythmically engaging material alongside more traditional seasonal fare.
How to get the most out of it
- Lock in the syncopated rhythms during sectional rehearsals; these catch singers off guard if they're not internalized early. Work them slowly at first without full tempo.
- Let the recorded accompaniment drive the pulse during performance. This piece thrives on rhythmic precision, and the track gives singers a steady anchor.
- Emphasize clarity in the two-part writing. Even simple divisi needs crisp attacks and releases so the rhythmic playfulness cuts through.
How to use it
Slot this into the second half of a holiday concert after more reverent pieces to shift energy and mood. Audiences respond well to this kind of stylistic contrast, and the twelve-page format keeps rehearsal investment reasonable for a strong program moment.
Skills your students will build
- Syncopated rhythm reading and execution
- Two-part vocal blending and independence
- Maintaining rhythmic precision with accompaniment
- Musical phrasing in contemporary choral idiom