Can't Wait for Christmas Cover Image

Can't Wait for Christmas: Choral SoundPax

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Can't Wait for Christmas Cover Image

Can't Wait for Christmas: Choral SoundPax

Words and music by Douglas E. Wagner

Item: 00-30959

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Description
This syncopated show-stopper is sure to be a standout in any holiday program. Capture the excitement and anticipation of "Santa's big night" with catchy rhythms, Christmastime lyrics, and an enjoyable chorus you'll want to sing again and again. Festive and fun! SoundPax includes 2 fl., cl., a. sax., t. sax., 2 tpt., 2 tbn., synth., mallets, perc., bs., dr.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Can't Wait for Christmas: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 58
UPC: 038081337319
SKU: 00-30959
Instrumentation: SoundPax

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner studied music at Butler University, earning both undergraduate and graduate degrees before spending three decades as a high school music director and administrator in the Midwest. Since 1973, he has published over 3,500 compositions across virtually every ensemble type: choir, band, orchestra, handbell, organ, piano, and voice. His works have circulated to more than seventeen million copies worldwide and appear regularly on concert programs and broadcasts internationally.

Based in Indianapolis, Wagner brings the perspective of a working music educator to every score he writes. His deep understanding of what students can achieve and what audiences want to hear informs compositions that are simultaneously musically substantial and genuinely performable by school ensembles.

Why we love this

Wagner nails the balance between showiness and accessibility that makes a holiday program memorable. The syncopated rhythms and catchy chorus give your choir a genuinely fun number to sink their teeth into, while the full SoundPax instrumentation transforms what could be a simple novelty into a genuine production moment. This is the kind of piece that gets requested for repeat performances.

What to expect

The syncopation gives this piece an infectious bounce, like the giddy anticipation of Christmas morning. Bright and rhythmically playful, it lands somewhere between a novelty number and a genuine choral moment, with the kind of hook that lingers in singers' minds long after rehearsal ends. The full band arrangement gives it a concert feel that reads as celebration rather than comedy.

Who it's for

Choirs in school and community settings looking for a showstopping holiday selection with genuine audience appeal. This works equally well for mixed ensembles or treble sections, and the festive energy suits choirs with singers across a range of experience levels.

How to get the most out of it

  • Keep the rhythmic energy propulsive from measure one; resist the temptation to drag the syncopated figures, especially in the chorus sections where the hook lives.
  • Balance the choir blend carefully against the full instrumentation. Singers should project without straining, letting the orchestration complement rather than bury the vocal line.
  • Use the recorded accompaniment strategically during rehearsal to build confidence with the syncopated rhythms, then gradually shift to live piano or conductor-only runs before adding the full ensemble.

How to use it

Position this in the second half of your holiday concert as an energy spike after slower, more reflective pieces. It pairs well alongside other festive selections and gives the audience a genuine smile before you transition into your closing numbers. Works particularly well as a finale if you want the concert to end on a joyful, high-energy note.

Skills your students will build

  • Reading and performing syncopated rhythmic figures with precision
  • Blending and balancing choir sound against full instrumental accompaniment
  • Maintaining rhythmic stability in upbeat tempos across multiple sections
  • Articulating text clearly while executing rhythmic complexity
  • Responding to instrumental cues in a full ensemble setting

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