Breathe Soft, Ye Winds: SSA Choral Octavo
Words by Ambrose Philips, music by Greg Gilpin
Item: 00-PO-0003262
Minimum order quantity: 20 copies
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More about this title
About the Composer: Greg Gilpin

Greg Gilpin stands among the most prolific and respected choral composers of our time, with an ASCAP award recognizing his contributions to the field. He has conducted performances at major venues across North America and internationally, from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall. His role as Director of Educational Choral Publications for Shawnee Press positions him at the center of choral music publishing, where he shapes resources for singers at every level.
Beyond composition and conducting, Gilpin has built a multifaceted career as a recording producer and musician. In recent years, he has also pursued certification as a financial coach and professional organizer, bringing the same attention to detail and clarity that defines his musical writing. His film scoring work earned recognition with a Best Score award for the short film "Rosie's Rescue," and he continues to collaborate with leading singers on new arrangements and premieres. Gilpin holds membership in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.
Why we love this
Gilpin writes choral music that sounds polished and mature without demanding grueling rehearsal hours. The voice leading here is genuinely intelligent: phrases sit where singers want them to sit, ranges stay accessible, and the emotional weight of the text emerges naturally from the writing rather than through technical display. Your singers will feel capable and heard.
What to expect
The piece embodies a quiet contemplation, inviting the ear inward. Simplicity in the orchestration and clarity in the voice leading create an intimate, almost meditative quality that respects both the poetic text and the vulnerability of the singers. There is maturity in the harmonic language without complexity that obscures the emotional core.
Who it's for
This piece serves choirs at the intermediate to advanced level who want repertoire with substance and musicality without excessive technical demands. It works beautifully for groups preparing concert or festival performances and pairs well with directors seeking SSA selections that challenge singers musically while respecting their vocal development.
How to get the most out of it
- Honor the title's instruction in your opening measures: allow the voices to enter with a soft, sustained quality that establishes the reflective mood from the start.
- Balance the three parts carefully so that no single line dominates; SSA writing shines when all voices share equal presence in the texture.
- Shape phrases according to the text's sense rather than stopping at every barline; let meaning guide your interpretation of phrasing marks.
- Attend to the practical ranges Gilpin has chosen: they allow singers to sing with ease and projection, so encourage full tone rather than guarding their voices.
How to use it
Program this as an anchor piece in a concert devoted to poetry or reflection, or pair it with other works by Gilpin to showcase his compositional voice. Its manageable preparation time makes it ideal for festival competitions or community concert programming where you want a piece that sounds prepared and confident without consuming all rehearsal resources.
Skills your students will build
- Sustaining legit vocal tone in soft, sustained passages
- Balancing three-part harmony to achieve blend without losing individual line clarity
- Interpreting literary and poetic texts through musical phrasing
- Reading SSA voicing and understanding voice part relationships
- Maintaining pitch accuracy in sustained harmonic writing