Breathe Soft, Ye Winds: 3-Part Mixed Choral Octavo
Words by Ambrose Philips, music by Greg Gilpin
Item: 00-PO-0003261
$2.05
Minimum order quantity: 20 copies
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Description
Greg Gilpin's skillful writing and sensitive interpretation create an expressive piece that brings understanding to this poignant text. Stunning in its simplicity, intelligent voice leading, practical ranges, and clear phrasing allow choirs to sound their very best in no time at all. Mature, yet manageable.
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0003261
More about this title
About the Composer: Greg Gilpin
Greg Gilpin has established himself as a distinctive voice in American choral music, earning ASCAP recognition for his compositions and arrangements while building an international reputation as a conductor. His work has taken him to landmark venues from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall, bringing choral music to audiences across the globe. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes the landscape of repertoire available to school and community choirs nationwide.
Beyond the concert hall, Gilpin has expanded his creative reach into film scoring, producing an award-winning score for the short film "Rosie's Rescue" in 2021. His collaborations with professional singers have resulted in innovative arrangements that bridge classical and contemporary audiences. An active member of ACDA, NAfME, and Phi Mu Alpha Sinfonia, Gilpin remains committed to advancing choral music education and performance at all levels.
Why we love this
Gilpin's ability to pair intelligent voice leading with genuine emotional depth sets this piece apart. The text receives the musical attention it deserves without demanding heroic vocal efforts, making it an ideal choice for choirs eager to sound polished and expressive in a single rehearsal season.
What to expect
The piece unfolds with intimate grace, honoring a poetic text through elegant simplicity rather than elaborate figuration. There's a quiet maturity in the voice leading that invites singers to discover depth in stillness, creating moments where vulnerability and strength coexist.
Who it's for
Treble, second alto, and baritone singers in developing middle school and high school choirs, as well as community ensembles seeking repertoire that serves both concert and festival contexts. The practical ranges and clear part-writing make this accessible to singers still building confidence while remaining satisfying for more experienced performers.
How to get the most out of it
- Build the opening with unhurried phrasing; let each phrase breathe before moving to the next idea rather than rushing toward cadences.
- Balance the three parts carefully in sections where the text divides among voices; clarity of diction will naturally help establish separation without forcing dynamics.
- Explore the emotional arc across the full piece; identifying the emotional peak helps singers understand where to place their interpretive energy rather than spreading effort evenly throughout.
How to use it
Program this as a compelling centerpiece for a concert devoted to poetry in song, or pair it with other settings of literary texts to explore how different composers approach the same themes. Its accessibility and emotional resonance also make it a strong choice for festival competitions where interpretation and precision matter equally.
Skills your students will build
- Singing three independent vocal lines while maintaining ensemble blend
- Interpreting poetic text through musical phrasing and subtle dynamic shaping
- Navigating part-writing that emphasizes voice leading over doubled notes
- Building confidence with practical ranges that suit developing singers