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Belwin Master Solos, Volume 1 (Clarinet): Clarinet Book

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Belwin Master Solos, Volume 1 (Clarinet) Cover Image

Belwin Master Solos, Volume 1 (Clarinet): Clarinet Book

Ed. Keith Snell

Level: Easy

Item: 00-EL03396

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Description
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Aria from Oratorio "Belshazzar" (Handel) * Bouree (Telemann) * Elegy (Tyndall) * Heros, When With Glory Burning from Joshua (Handel) * March (Fischer) * Processional (Daquin) * Processional (Snell) * Rigaudon (Bohm) * Rio Grande (Snell) * Rondo (Snell) * Russian Folk Song (Traditional) * Sarabande (Speer) * Two Chinese Folk Songs (Song of Hoe/The Filial Crow) (Traditional). This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Belwin Master Solos, Volume 1 (Clarinet): Clarinet Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Master Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-2200-5
ISBN13: 978-0-7692-2200-4
UPC: 029156117424
SKU: 00-EL03396

More about this title

About the Creator: Keith Snell (series editor and contributor)

Keith Snell has shaped instrumental music education through thoughtful curation and original composition for decades. His work on the Belwin Master Solos series reflects a deep understanding of what early-level clarinetists need: repertoire that builds specific technical skills while remaining musically satisfying to play.

Why we love this

This collection balances historical breadth with genuine playability in a way that rarely feels forced. Snell's original compositions sit alongside Handel and Telemann without apology, and the accompaniments are crafted to enhance rather than complicate the student's learning. You get 13 distinct pieces that each target different technical territory, so no two rehearsals feel the same.

What to expect

A journey through centuries of music without pretension. You move from Handel's formal nobility to Russian folk melody to original pieces that sound neither imitative nor out of place. The clarinet stays in its most comfortable register and range, allowing students to focus on expression and musical choices rather than fighting the instrument.

Who it's for

Beginning to early-intermediate clarinetists who need a steady progression of solo material that spans multiple musical traditions. This book works equally well for students preparing recital repertoire or teachers building a curriculum around varied musical styles and technical challenges.

How to get the most out of it

  • Play through the entire collection to identify which pieces address your student's weakest areas. A clarinetist struggling with sixteenth-note rhythms might benefit most from the March or Processional pieces before tackling the lyrical solos.
  • Work the accompaniment alongside your student from the start. The piano part is intentionally accessible, so if you're the accompanying teacher, you can genuinely listen to and shape the clarinet line rather than fighting the page.
  • Select pieces from different periods for a single practice week. Alternating between a Baroque Bourée and a folk tune keeps the student engaged and naturally teaches stylistic contrast.
  • Use the key signature variety strategically. Early solos stay in reader-friendly keys, but later pieces introduce more accidentals, so you can track your student's progress through the collection itself.

How to use it

Assign solos as your student progresses through the year, using the graded difficulty to align with seasonal recital opportunities or studio performance events. The variety of styles makes this collection ideal for a studio recital where you want to showcase different facets of your student's musicianship without repetition of period or character.

Skills your students will build

  • Reading multiple key signatures (B flat through four sharps and flats)
  • Rhythmic accuracy across varied meters and note values, including sixteenth-note figures
  • Dynamic control and sustained phrasing in lyrical passages
  • Articulation and style variation across Renaissance, Baroque, Classical, and folk idioms
  • Sight-reading fluency through exposure to 13 distinct melodic and rhythmic contexts

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