Belwin Master Solos, Volume 1 (Clarinet) Cover Image

Belwin Master Solos, Volume 1 (Clarinet): Clarinet Book

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Belwin Master Solos, Volume 1 (Clarinet) Cover Image

Belwin Master Solos, Volume 1 (Clarinet): Clarinet Book

Ed. Keith Snell

Level: Advanced

Item: 00-EL03398

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Description
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Allegro (Fiocco) * Baroque Suite (Intrada/Allemande/Sarabande/Gavotte/Gigue) (Corelli) * Nickelodeon Rag (Snell) * Siciliano (Vanhal) * Three Legends of Monument Valley (Dawn on Sentinial Mesa/Brigham's Tomb/The Devil's Winds at Window Rock) (Snell).

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Additional Details
Series: Belwin Master Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5572-8
ISBN13: 978-0-7692-5572-9
UPC: 029156213720
SKU: 00-EL03398

More about this title

About the Creator: Keith Snell (series director); various composers including Fiocco, Corelli, Vanhal

Keith Snell has shaped clarinet education through thoughtful repertoire curation and composition that respects both the instrument's capabilities and the learning journey of advancing students. His work with the Belwin Master Solos series demonstrates a deep understanding of what makes music engaging for performers while building genuine musicianship.

Why we love this

This collection balances historical depth with genuine variety in a single book. The five pieces span Baroque counterpoint, arranged traditional forms, ragtime idiom, classical melody, and contemporary Americana, so students encounter real stylistic challenges without repetition. Accompaniments stay supportive while adding genuine musical interest.

What to expect

Refined and exploratory. You move from the elegant understatement of a Siciliano into the infectious energy of ragtime, then into atmospheric sketches inspired by landscape. There's sophistication without pretension.

Who it's for

Advancing high school clarinetists and serious adult students who need recital material with substance. This book serves teachers seeking to introduce students to multiple musical traditions within a single practice resource.

How to get the most out of it

  • Approach the Corelli Baroque Suite as a mini-lesson in dance forms. Each movement has distinct character and rhythmic profile; use those differences to clarify articulation and phrasing choices.
  • The Nickelodeon Rag rewards rhythmic precision. Lock the syncopated figures with the piano before adding expressive shaping.
  • For the Three Legends of Monument Valley, listen to how the titles suggest harmonic and timbral choices. Each movement has atmospheric intent beyond the notes on the page.

How to use it

Draw individual pieces for student recitals depending on what each performer needs to develop. Program the Corelli suite for chamber concert contexts where clarinetists perform with other soloists, or spotlight the Three Legends as a distinctive closing number that shows off contemporary compositional voice alongside historical repertoire.

Skills your students will build

  • Stylistic differentiation across Renaissance, Baroque, Classical, and contemporary idioms
  • Baroque ornamentation and articulation conventions
  • Syncopation and ragtime rhythm in modern context
  • Extended range in upper register while maintaining tone quality
  • Phrase shaping in lyrical versus rhythmically driven contexts
  • Collaboration with piano accompaniment at varying levels of independence

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