Band Expressions™, Book Two: Student Edition Cover Image

Band Expressions™, Book Two: Student Edition: Piano Acc. (Instrumental) Book & CD

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Band Expressions™, Book Two: Student Edition Cover Image

Band Expressions™, Book Two: Student Edition: Piano Acc. (Instrumental) Book & CD

By Robert W. Smith, Susan L. Smith, Michael Story, Garland E. Markham, and Richard C. Crain with contributions from Linda J. Gammon and James Campbell

Level: 2

Item: 00-EMCB2017CD

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Description
Band Expressions™ is a full-band curriculum that provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for Music Education -- not retrofitted to the Standards. The program is both music literacy-based and literacy driven -- based on music literacy while satisfying reading and writing mandates in band class.

Each student book features an attractive full-color interior with easy-to-read notes and includes:
-A 78-track CD in each student book with accompaniments for various songs and exercises throughout the lesson book
-Historical notes on some of the most notable composers of band music
-A thorough glossary of musical terms

Future reprints may be printed with black and white interiors.

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Additional Details
Series: Band Expressions
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7579-2146-9
ISBN13: 978-0-7579-2146-9
UPC: 654979076025
SKU: 00-EMCB2017CD
Instrumentation: Piano

More about this title

About the Author: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as one of the most frequently performed composers in American concert band and orchestral music, with more than 400 published works distributed primarily through Alfred Music. He holds degrees from Troy State University (AL) and the University of Miami (FL), and his original compositions for band and orchestra have reached audiences across North America, Europe, Australia, and Asia. His symphonic works, including The Divine Comedy and The Odyssey, alongside pieces like The Tempest for developing ensembles, have become core repertoire in band programs nationwide.

Beyond the concert stage, Smith's compositions have shaped significant cultural moments: from ceremonies honoring President Ronald Reagan in Japan to performances at the Olympic Games, the Macy's Thanksgiving Day Parade broadcast, Ringling Brothers and Barnum & Bailey Circus productions, and Opening Day celebrations at Dodger Stadium. As a conductor and clinician, he has worked extensively throughout the United States and internationally in Canada, Japan, Australia, Italy, Austria, and the United Kingdom.

Why we love this

Band Expressions Book Two anchors your curriculum in solid music literacy pedagogy while meeting actual classroom demands for integrated learning. The 78-track CD eliminates the accompaniment burden, letting students focus on reading and blending rather than sight-reading complex piano parts. Smith and his co-authors built this sequence intentionally around the National Standards, which means your lessons reinforce what matters most without requiring constant adaptation.

What to expect

Opening this book reveals a professional, full-color learning environment with clear notation and carefully scaffolded material that respects students as developing musicians. The included CD transforms the experience from students struggling through written-out piano parts to hearing how their melodies sit within a complete musical context.

Who it's for

This piano accompaniment book serves directors leading Level 2 concert bands who want authentic, professionally recorded support for student learning. It works equally well in middle school general music classrooms, beginning high school bands, and community ensembles where independent sightreading of complex accompaniment is unrealistic or distracting from core objectives.

How to get the most out of it

  • Familiarize yourself with the accompaniment tracks before rehearsal so you can cue students into the recorded timing and style.
  • Use the glossary as a teaching point rather than reference material; have students define terms as they encounter them in context throughout the exercises.
  • Coordinate the accompaniment playback with your conducting so students internalize the relationship between your gesture and the recorded ensemble sound.
  • Leverage the composer notes to build context around why certain pieces matter in the band canon; students learn differently when they know the story.

How to use it

Integrate Book Two into your second-year band curriculum as the backbone of daily warmups and sight-reading exercises. The accompaniments make this material ideal for solo and small ensemble practice, giving students recorded feedback outside of rehearsal, and the composer notes provide natural bridges to concert programming or repertoire study units.

Skills your students will build

  • Reading and interpreting notation in concert band context
  • Listening to and matching pitch against recorded accompaniment
  • Understanding harmonic function through the relationship between melody and accompaniment
  • Ensemble balance and blend in a recorded ensemble setting
  • Music history and cultural context of concert band repertoire
  • Rhythm precision when coordinating with prerecorded tracks

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