Band Expressions™, Book Two: Student Edition Cover Image

Band Expressions™, Book Two: Student Edition: Tenor Saxophone Book & CD

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Band Expressions™, Book Two: Student Edition Cover Image

Band Expressions™, Book Two: Student Edition: Tenor Saxophone Book & CD

By Robert W. Smith, Susan L. Smith, Michael Story, Garland E. Markham, and Richard C. Crain with contributions from Linda J. Gammon and James Campbell

Level: 2

Item: 00-EMCB2009CD

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Description
Band Expressions™ is a full-band curriculum that provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for Music Education -- not retrofitted to the Standards. The program is both music literacy-based and literacy driven -- based on music literacy while satisfying reading and writing mandates in band class.

Each student book features an attractive full-color interior with easy-to-read notes and includes:
-A 78-track CD in each student book with accompaniments for various songs and exercises throughout the lesson book
-Historical notes on some of the most notable composers of band music
-A thorough glossary of musical terms
-Tips on advanced instrument care and maintenance

Future reprints may be printed with black and white interiors.

This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Band Expressions™, Book Two: Student Edition: Tenor Saxophone Book & CD comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Greensleeves --:--
2 Over the Rainbow --:--

Greensleeves

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Sample Video
Additional Details
Series: Band Expressions
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7579-2138-8
ISBN13: 978-0-7579-2138-4
UPC: 654979075950
SKU: 00-EMCB2009CD
Instrumentation: Tenor Saxophone

More about this title

About the Author: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as one of the most recorded and performed composers in concert band literature, with over 400 published works distributed primarily through Alfred Music. His education includes a Bachelor's degree in Music Education from Troy State University and a Master's degree from the University of Miami. Smith's compositions for concert band and orchestra have circulated internationally, with works like The Tempest and The Divine Comedy becoming central to band repertoires at all levels.

Beyond the concert hall, Smith's music has appeared in significant cultural moments: presidential ceremonies in Japan, Olympic broadcasts, the Macy's Thanksgiving Day Parade, and opening day at Dodger Stadium. His dual career as both composer and clinician has taken him across North America and to venues in Canada, Japan, Australia, Italy, Austria, and the United Kingdom. This combination of prolific output and real-world performance experience informs his approach to writing for student musicians.

Why we love this

Band Expressions Book Two anchors itself in the National Standards without feeling retrofitted to them. The curriculum balances music literacy development with genuine musicality, and the full-color design makes daily lessons feel less like workbook pages and more like something worth opening. A 78-track accompaniment CD embedded in each student book removes friction from rehearsal and lets students hear themselves in context immediately.

What to expect

Opening this book reveals a carefully organized world where every exercise and song has purpose. The full-color layout makes reading feel inviting rather than laborious, and the presence of accompaniment tracks transforms solitary practice into a conversation with an ensemble. Students recognize they are building skills within a larger musical context, not just meeting technical benchmarks.

Who it's for

Tenor saxophone players in developing concert bands, typically in grades 2-3 or students reading at those levels. This book works equally well for beginning high school players, community band members returning to the instrument, or private lesson students seeking supplementary material that bridges method books and performance repertoire.

How to get the most out of it

  • Reference the historical notes on composers included throughout the book to connect what students are playing to the larger story of band music. This transforms exercises into meaningful musical encounters rather than isolated drills.
  • Use the accompanying CD to establish tempos and phrasing before rehearsal. Students who have heard the piece in advance retain information faster and ask better questions during class.
  • Consult the glossary definitions while teaching new concepts rather than after. Embedding vocabulary into the moment of discovery, supported by printed definitions students can touch and reference, accelerates retention.
  • Leverage the instrument care and maintenance sections as jumping-off points for brief individual conversations about student responsibility. Ownership of an instrument deepens when students understand how to maintain it.

How to use it

Band Expressions Book Two functions best as a core curriculum text for fall and winter rehearsals, providing both daily warm-up material and graded repertoire that fills the gap between method book fundamentals and full band arrangements. Its embedded accompaniment tracks and historical context make it valuable for small group sectional work or private lessons, where students can self-direct learning between ensemble rehearsals. The comprehensive structure also supports independent practice during weeks when concert pressures ease.

Skills your students will build

  • Reading in multiple clefs and transpositions
  • Interval recognition and singing/playing by ear
  • Rhythmic reading across simple and compound meters
  • Tone production and breath control
  • Phrasing and musical expression at the phrase level
  • Sight-reading fluency
  • Understanding harmonic function through listening and analysis
  • Counting and conducting simple patterns
  • Cross-fingering and altissimo register development (tenor saxophone-specific)
  • Articulation clarity across styles (tonguing patterns, staccato, legato)

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