At Last Cover Image

At Last: SoundTrax Digital Audio Download

$27.99 USD
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At Last Cover Image

At Last: SoundTrax Digital Audio Download

By Mack Gordon and Harry Warren / arr. Jay Althouse

Item: 00-A-00014880

$27.99
Digital Download

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Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014880

More about this title

About the Composer: Mack Gordon

Mack Gordon (1904-1959) was a lyricist whose sophisticated wit and conversational style defined the Golden Age of American songwriting. He collaborated with composers like Harry Warren and Josef Myrow to create standards that remain central to the jazz and pop repertoire, including "At Last," "Chattanooga Choo Choo," and "I've Got a Gal in Kalamazoo." Gordon's ability to match clever, singable lyrics to memorable melodies made his work enduring material for both professional singers and student choirs.

Born in Philadelphia, Gordon worked across Broadway, film, and Tin Pan Alley, earning recognition for his craft and professionalism. His songs remain teaching staples because they combine accessible melodic lines with the harmonic sophistication that rewards deeper musical study.

Why we love this

Jay Althouse's arrangement captures the warmth and romantic shimmer of this standard while keeping the vocal writing straightforward enough for mixed choirs at various levels. The piece works equally well as a concert closer or a feature for small ensemble, and the availability of recorded accompaniment means directors can mount a polished performance without requiring a pianist or full rhythm section.

What to expect

Warm, romantic, and suffused with the golden-age charm of 1940s jazz balladry. The arrangement wraps the melody in rich, close harmonies that evoke evening lounge performances and intimate vocal groups, with enough harmonic movement to keep singers engaged throughout.

Who it's for

Mixed choirs seeking accessible yet musically substantial repertoire from the American songbook. The straightforward vocal writing makes it approachable for high school and community choirs, while the sophisticated harmony and jazz idiom appeal to singers who enjoy the texture and history of classic pop standards.

How to get the most out of it

  • Balance the melody line so it sits above the inner voices without forcing; the lush harmonies are part of what makes this arrangement sing, so let them support rather than compete.
  • Shape the phrasing to follow the lyrical arc of the text. Gordon's words naturally suggest where to breathe and where to sustain tension, so honor those moments rather than dividing phrases mechanically.
  • Use the recorded accompaniment to lock in time and feel during early rehearsals, then work toward independence so singers can respond naturally to each other rather than tracking the track.
  • Pay attention to the jazz idiom in the harmony and rhythmic feel. Subtle swing and a relaxed, behind-the-beat approach in places will bring out the standard's character far more than straight classical phrasing.

How to use it

This belongs on a concert that celebrates American standards and pop songwriting, either as a featured choral number or alongside other arrangements from the Alfred Pop Choral Series. It also makes an effective lighter moment in a program otherwise focused on classical or contemporary work, reminding audiences of the song's timeless appeal.

Skills your students will build

  • Singing jazz idiom and swing feel in a choral context
  • Blending close harmonies while maintaining individual line integrity
  • Shaping legit phrasing around lyrical content rather than mechanical phrase breaks
  • Interpreting standard notation with stylistic nuance appropriate to the era and genre

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