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At Last: Choral Octavo SoundTrax CD

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At Last Cover Image

At Last: Choral Octavo SoundTrax CD

By Mack Gordon and Harry Warren / arr. Jay Althouse

Item: 00-25112

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Description
Soul and blues singer Etta James made this luscious ballad a hit in 1960, though it was written almost 20 years earlier by the songwriting team of Mack Gordon and Harry Warren. Since then it's been recorded by scores of artists. One of the great ballads of the American song repertoire.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081266060
SKU: 00-25112

More about this title

About the Composer: Harry Warren

Harry Warren (1893-1981) was one of the most prolific and successful composers in American popular music. His career spanned from the 1920s through the 1960s, and he wrote hundreds of songs that became standards, many of them for film musicals. Warren had an instinct for memorable melody and sophisticated harmonic language that appealed to both Broadway audiences and jazz musicians. His collaborations with lyricist Mack Gordon produced some of the era's most enduring classics.

Warren's influence on the American songbook cannot be overstated. He won multiple Academy Awards and saw his compositions recorded by artists across every genre, from jazz singers to pop vocalists to orchestral arrangers. His work remains central to the standard repertoire that jazz musicians and singers learn and perform today.

Why we love this

Jay Althouse's arrangement honors the song's sophistication while making it accessible to mixed choirs of all levels. The piece sits beautifully for voices and the included SoundTrax CD gives singers a professional recorded accompaniment that lets them hear exactly how the piece should breathe and phrase. This is a standard that choirs genuinely enjoy singing, and audiences recognize it instantly.

What to expect

Smooth, intimate, and deeply romantic. The melody unfolds with the ease of a late-night jazz club, and the harmonies have just enough color and sophistication to feel elegant without being precious. Singers will feel the emotional warmth of this classic ballad the moment they begin learning it.

Who it's for

Mixed choirs performing classic American standards and popular music. This works equally well in a school choir concert, a community ensemble program, or a jazz-inflected pop showcase. The accessibility of the arrangement makes it suitable for intermediate to advanced choirs looking for repertoire with serious musical substance and immediate audience appeal.

How to get the most out of it

  • Sing the melody with legit weight in the voice. This ballad demands real tone quality, not breathy or oversinging. Think warmth and connection rather than volume.
  • Use the recorded accompaniment during rehearsal to lock the phrasing and tempo. Warren's melody sits naturally over the chord changes, but the rhythm section on the CD will show singers where the subtle push and pull happens.
  • Balance your voicing so the melody soars above the harmony. The arrangement likely features a strong soprano line, and internal voices should support rather than compete.
  • Give yourself time in rehearsal to develop the lyrics' emotional arc. This is a love song with real vulnerability, and the performance will only land if singers connect to the text.

How to use it

Program this as the emotional centerpiece of a pops or standards concert, where it can anchor a set of great American songbook material. It also works beautifully as a bridge piece between classical and contemporary programming, showing audiences the artistic depth of popular song. Consider pairing it with other Althouse arrangements or other classic pop standards from the same era.

Skills your students will build

  • Sustained legit singing with mature vocal tone
  • Phrasing across long melodic lines without overbreathing
  • Balancing melody and inner harmony voices
  • Interpreting jazz-inflected rhythms and swing feel
  • Performing from a recorded accompaniment with confidence and accuracy

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