As Time Goes By Cover Image

As Time Goes By: Choral SoundPax

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As Time Goes By Cover Image

As Time Goes By: Choral SoundPax

Words and music by Herman Hupfeld / arr. Jay Althouse

Item: 00-30931

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Description
Who can resist this classic movie theme from Casablanca, one of the most famous motion pictures of all time? This arrangement, equally appropriate for jazz, show, and concert choirs, features optional solos, well-designed harmonies, and an optional alto sax solo (in the SoundPax). SoundPax includes a. sax., rhy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, As Time Goes By: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081337036
SKU: 00-30931
Instrumentation: SoundPax

More about this title

About the Composer: Herman Hupfeld

Herman Hupfeld (1894-1951) was an American songwriter and composer who gained enduring fame for creating one of cinema's most iconic melodies. Though he wrote for theater and film throughout his career, "As Time Goes By" remains his signature work, introduced in the 1931 Broadway operetta "Everybody's Welcome" and later immortalized in the 1942 film Casablanca, where it became deeply woven into popular culture.

For music educators, Hupfeld's gift lies in his melodic simplicity and emotional directness. The song's straightforward harmonic language and memorable tune make it accessible for choirs at various levels while retaining genuine sophistication. Its continued popularity across decades speaks to the strength of his compositional instincts.

Why we love this

Jay Althouse's arrangement strikes an ideal balance between honoring the song's classic character and giving choirs real musical substance. The flexible solo options and thoughtful harmonies let you cast the piece to your ensemble's strengths, whether you're building a jazz concert or rounding out a show repertoire program.

What to expect

Nostalgic yet contemporary, with the smooth sophistication of a classic Hollywood moment. The melody carries an intimate warmth, and the harmonies support that mood with jazz-influenced color and elegant voice leading. This is music that feels both timeless and entirely at home in a modern choral concert.

Who it's for

This arrangement works for jazz choirs, show choirs, and concert choirs seeking a standard with movie prestige and genuine musical architecture. Directors who want to program a recognizable, singable classic without sacrificing arrangement quality will find a strong fit here.

How to get the most out of it

  • Bring out the alto sax solo if you have the instrumentation available; it transforms the middle section and gives your jazz or show choir a genuine small-group moment.
  • Shape the melody with phrase awareness rather than beat-by-beat diction, letting the famous tune's contours drive the phrasing.
  • Treat the optional solos as featured moments, not filler. If you assign them, give those singers intentional rehearsal time to develop their interpretations.

How to use it

Program this as a centerpiece in a jazz, standards, or American songbook section of your concert. Its cultural weight and melodic familiarity give audiences an immediate connection, making it an excellent anchor for a thematic program about American popular song or classic film.

Skills your students will build

  • Jazz phrasing and swing style
  • Flexible solo performance (optional featured parts)
  • Jazz harmony and chord-tone awareness
  • Blend and balance in small-group ensemble sections
  • Stylistic interpretation of popular standards

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