As Time Goes By Cover Image

As Time Goes By: Choral Octavo SoundTrax CD

$27.99 USD
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As Time Goes By Cover Image

As Time Goes By: Choral Octavo SoundTrax CD

Words and music by Herman Hupfeld / arr. Jay Althouse

Item: 00-30930

$27.99
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Description
Who can resist this classic movie theme from Casablanca, one of the most famous motion pictures of all time? This arrangement, equally appropriate for jazz, show, and concert choirs, features optional solos, well-designed harmonies, and an optional alto sax solo (in the SoundPax).

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081337029
SKU: 00-30930

More about this title

About the Composer: Herman Hupfeld

Herman Hupfeld (1894–1951) was an American songwriter who created some of the most enduring standards of the Great American Songbook. His gift for melody and lyrical sophistication made him a sought-after composer for Broadway and Hollywood productions during the 1930s and 1940s.

Hupfeld's "As Time Goes By" became immortal through its placement in Casablanca (1942), where it underscored one of cinema's most iconic moments. The song's timeless quality—its blend of nostalgia, romance, and wistful reflection—has made it a staple in jazz clubs, concert halls, and choral programs for generations.

Why we love this

Jay Althouse's arrangement captures the song's cinematic sophistication while making it genuinely singable for mixed choirs at various levels. The optional solos and well-balanced harmonies let you shape the arrangement to match your ensemble's strengths, and the recorded accompaniment gives your singers a polished, ensemble-friendly sound that doesn't require a full band.

What to expect

This arrangement radiates the romantic nostalgia of old Hollywood, wrapping singers and listeners in warm, sophisticated harmonies. The melody carries that bittersweet quality that made the original unforgettable—part longing, part acceptance, entirely timeless.

Who it's for

Mixed choirs preparing for concert programs, jazz choir repertoire, and pops shows will find this arrangement accessible and effective. Directors seeking a classic that appeals to both singers and audiences will appreciate how Althouse has preserved the song's elegance while keeping it technically manageable across skill levels.

How to get the most out of it

  • Shape the melody with natural phrasing rather than mechanical rhythm; this song breathes. Let the singers feel the lyrical contours and push slightly into the most emotionally weighted words.
  • The recorded accompaniment provides a complete harmonic foundation, so encourage singers to listen actively during rehearsals to lock in pitch and blend with the instrumental textures.
  • If you feature the optional solos, select singers who can deliver warmth and vintage style without oversinging. This song thrives on understatement.
  • Balance the alto sax solo (available in the SoundPax) at a level that complements the voices; it's a partner to the choir, not a spotlight moment that overshadows the text.

How to use it

Pair this with other American standards or film-inspired pieces for a cohesive concert segment, or use it as the centerpiece of a vintage cinema-themed program. Its familiarity makes it a natural crowd-pleaser and an excellent closer that leaves audiences in a reflective, satisfied mood.

Skills your students will build

  • Sustaining lyrical lines with natural phrase shape
  • Blending with recorded accompaniment
  • Balancing optional solo voices within the choir texture
  • Interpreting jazz-influenced harmonic movement
  • Singing with stylistic awareness of the Great American Songbook tradition

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